Japanese Satsuma Vase Lamp

Japanese Meiji Satsuma polygonal vase with four panels. Each panel shows a different scene. Fine gilding and hand enameling. Marked on the bottom with shimadzu mon.

Japanese Satsuma Pottery Bottle Vase, with painted and gilt figural interior scenes mounted on brass griffin base. Overall: 12.25" H x 4.75" Diameter. Provenance: From the Collection...

Fabulous Japanese vases with an all around scene of lovely ladies, 19th century. Marked at base, ?? Yasui Condition Overall condition vase 1 perfect, just some minimal enamel...

Japanese Satsuma hand decorated vase.

A miniature vase in elegant upright form reminiscent of the Chinese imperial Willow Leaf form made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many a...

A fine antique Japanese Satsuma pottery vase. In the form of a bud vase with a round base and narrow, tapered neck. Decorated throug...

A fine diminutive, antique Japanese Satsuma pottery cabinet vase. Decorated throughout with gilding and raised enamel. There are...

A Satsuma baluster form vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsuma artists from Meiji Peri...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A fantastic small Japanese Satsuma vase with image of writhing dragons, Meiji Period, circa 1900, Japan. The vase of elegant baluster form, with a slightly flared foot, slender body...