Japanese Studio Pottery Lava Glazed Vase

A very beautiful white to off-white round Japanese pottery vase, late Modern/Art Deco period, circa early-20th century Japan, 1921-1941. Vase has a ...

A stoneware vase with white dripping glaze from Hagi by Kyusetsu Miwa X (1895-1981), Showa Period. The vase is in the shape of "Double Gourd" with a bulbous ...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

A garlic bottle vase in an archaic Chinese form, but likely Japanese in origin. Several circumventing grooves however, suggest a more modern age. It was done in a brilliant purple glaze over a robin egg blue background glaze. The bubbling and bursting effects during the firing renders the surface an artistic spotting effect. The color pallet recalls the Classic Jun Yao...

A really large and wonderful piece. Clearly, the maker was a fan of Shoji Hamada's work. Could be a Mashiko Ware pottery vase. Signed on the base along with a sticker on the insi...

A wonderfully designed and gorgeously colored coveted square Mingei bottle vase by Japanese National Treasure pottery master Tatsuzo Shimaoka. This vase is an early work of Shimaoka's before he started to use his impressed "Ta" signature. The rich colors are truly amazing and shift in the light. The vase comes with a Shimaoka signed and sealed box. The work is exquisite in every way and has a wonderful feel and heft to it. Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including North America, Asia, and Europe. In 1996 he was bestowed the title of Japanese Living Treasure...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

With lovely magnolia tree in bloom and finch on blue background. Signed: Fukugawa.   

A very stylish and well made hand-crafted Japanese studio pottery vase decorated with octopus tendril designs dating from the early 20th century. The heavily made hand-thrown vase is...

Large Awaji pottery vase with sprigged chrysanthemums and green and white glazes, circa 1930. Measures: 18 1/4" high, 9 1/2" diameter. Excellent condition.