Large Oxblood Vase

A large vintage oxblood altar vase with flaring neck. This large vintage oxblood altar vase captivates with its rich, deep finish and elegant silhouette. The vase features a graceful...

A Chinese vintage oxblood altar vase from the mid-20th century, with flaring neck. We currently have several available, priced and sold $1,300 each. Created in China during the midce...

Our vintage oxblood glazed colored altar vases from the mid 20th century make for striking additions to our vast collection of antique and vintage vases...

The melon shape is respected by the Chinese not only as a form but as a symbol for proliferation. These contemporary ceramics call back to the Song Dynasty (960 to 1279) when artisan...

Large, beautiful country-ware vase. Possibly Oribe vase with beautiful blue-green drip over-glaze and other nice glazing techniques. Small "ears" on the side. Taisho period handmade ...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

Large Awaji pottery vase with sprigged chrysanthemums and green and white glazes, circa 1930. Measures: 18 1/4" high, 9 1/2" diameter. Excellent condition.

Of ovoid form, with a narrow neck and outward flaring rim, on dark blue ground depicting wisteria blossoms in white and purple cascading from the shoulder with birds throughout and w...

A large Meiji period Satsuma earthenware floor vase, the of baluster form, painted in pastel overglaze enamels and gilding with two large sprays of flowers including prunus blossom, ...