Harewood Ceramics
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Material: Harewood
Antique Pair Chinese Hand Cut Carvings Mounted Warriors, Pavilions Foliage Gilt
Located in Dublin, Ireland
Exquisite Pair of Hand Carved Giltwood Cantonese Chinese decorative wall panels of generous size, early Twentieth Century.
These stunning and quite rare panels are made from solid...
Category
Late 19th Century Chinese Chinese Export Antique Harewood Ceramics
Materials
Gold Leaf
Antique Pair Chinese Export Giltwood Carvings of Crane Phoenix or Foo Dogs 19Ct
Located in Dublin, Ireland
Impressive and quite rare Pair of Hand Carved Giltwood Hardwood hanging Wall Carvings of Chinese origin, last quarter of the Nineteenth Century.
Each beautiful carving depicts a bi...
Category
Late 19th Century Chinese Chinese Export Antique Harewood Ceramics
Materials
Harewood
Large Red and Gold Vase In Porcelain Kutani Meiji Period with Small Table
Located in Milano, MI
Monumental Japanese Lidded Vase In Kutani Porcelain Meiji Period Late 1800s red ground with rich gold decoration of flowers, birds and people within reserves.
94 cm tall this imposin...
Category
Late 19th Century Japanese Meiji Antique Harewood Ceramics
Materials
Porcelain, Harewood
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Japanese Huge Antique Captain Whale Fisherman Satsuma Charger, 18 Inches
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Japanese Satsuma, a fine and monumental 18" Meiji period charger Ozara with rare motif: Captain fisherman and his fish.
Depicting a tale of Urashima Tarō* (see below),
Signed Jyukan pottery by Chinjyu Makoto, in a lovely gold gilt and red detailed hand-painted composition
Age: 1880-1900.
Dimensions: 18 inches diameter and includes owner's signed wooden presentation box, tomobako.
Hand made and hand painted.
Finest quality.
Provenance: Old Southern Japanese collection.
Urashima Tarō (浦島 太郎?) is a Japanese legend about a fisherman who holds a fishing pole and rescues a turtle and is rewarded for this with a visit to Ryūgū-jō, the palace of Ryūjin, the Dragon God, under the sea. He stays there for three days and upon his return to his village, finds himself 300 years in the future.
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Pair Chinese White Glazed Guanyin, Qing Dynasty, 18th Century, China
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A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China.
This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen.
Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes.
The hands were originally removable, but have since been permanently attached.
The figures crafted of a fine porcelain and glazed all over in a supple white glaze.
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Antique Meiji Period Kutani Japanese Porcelain Temple Jar
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