Ming Dynasty Blue and White Jarlet with Lions

18th Century miniature blue and white vase with celadon base and cafe au lait band, Qianlong period (1736 - 1795). Small and elegant, wit...

Pair of 17th Century blue and white wine cups from the Hatcher Collection painted with a dragon leaping through cloud scrolls to grasp a flaming pearl. The cups are delicately potted...

Miniature 17th century blue and white pear-shaped vase decorated with birds and flowers. This miniature vase was part of a hoard recovered by Captain Michael Hatcher...

A small blue and white bird-feeder of circular form with short neck, one side set with two small loup handles, the base slightly pointed, painted with lotus heads growing from scroll...

This round, porcelain storage jar is brightly glazed in the classic blue-and-white manner. A combination of stenciled linework and hand-brushed shading, the sides of the jar are deco...

Fine porcelain Chinese mid-20th century blue and white traditional gourd shaped vase, featuring a large four-clawed dragon. Beautiful cloud motif ...

The Kendi is decorated with cobalt blue underglaze depicting flowers and a mythical bird, reflecting the artistic finesse and symbolic expressions of the era. These designs often carry symbolic meanings, with birds sometimes representing immortality or spiritual transcendence in Chinese mythology. The Kendi's form, with a bulbous body and spout for drinking, is a traditional vessel style in Asia, valued for both its functionality and aesthetic appeal. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

At the center of the vase, a bird is depicted with clean yet detailed lines, capturing the moment mid-flight with a sense of dynamic energy. The artist skillfully conveys the bird’s vitality with minimal strokes, creating the impression that it could soar into the sky at any moment. Though there are no explicit branches or leaves, the flowing curves of the background subtly connect the bird with the natural world. The simplicity of the lines creates a harmonious relationship between the bird and its environment, reflecting the artist’s ability to evoke nature without relying on intricate details. The neck of the vase is adorned with elegant plant motifs, where stems and leaves stretch upward, complementing the overall shape of the vase. These motifs, while simple, add sophistication and enhance the vase’s graceful form. At the base, repeating geometric patterns contribute to the sense of balance and stability. These patterns not only ground the piece but also serve as decorative elements, completing the vase’s aesthetic unity. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Seattle Art Museum - Gift of Mary and Cheney Cowles, 2000.125. 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 3) Asian art museum, San Francisco * Vietnamese trade ceramic...