Modern Japanese Ceramic Vase

Very unique Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tactile texture.

A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese. Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...

1888 Japanese artist made modernist undulating glazed ceramic vase. Makers stamp on bottom

A beautiful pair of Modern periwinkle blue Japanese vases with octagonal base, pinched waist, and clover like design at neck/top. Marked underneath/bot...

Patto vase Marked by sinuous curves outlining a flared profile, this one-of-a-kind vase was handcrafted of ceramic following the ancient Japanese Raku pottery...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A wonderfully designed and gorgeously colored coveted square Mingei bottle vase by Japanese National Treasure pottery master Tatsuzo Shimaoka. This vase is an early work of Shimaoka's before he started to use his impressed "Ta" signature. The rich colors are truly amazing and shift in the light. The vase comes with a Shimaoka signed and sealed box. The work is exquisite in every way and has a wonderful feel and heft to it. Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including North America, Asia, and Europe. In 1996 he was bestowed the title of Japanese Living Treasure...

Cratere Vase Named after the Italian for crater, the design of this handcrafted ceramic bowl flaunts a singular design of speckles and crackles. The white look on the interior - a...

Wake Vase A vase representing the concept of japanese Wabi-sabi, revealed the moment the piece is observed in its entirety. The sharp white lines and deep natural green harmonical...

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...