Pair of Chinese Boy and Girl Porcelain Ceramic Pillows Headrests

Chinese White Porcelain Ho Ho Boy Headrest c. 1950. A white blanc de Chine ceramic headrest in the shape of a reclining boy. To keep her elaborate hairstyle intact while sleeping, a ...

Fine vintage pair of 'Blanc de Chine' porcelain Guanyin statues - each figure holding an applied flower and standing on a lotus leaf and decorative stan...

A Chinese unglazed ceramic headrest with lovely patina and naieve carvings on both sides. ONe geometrical and one of a fantasy beast (griffion?). These headrests are found in difform...

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman would use a rigid headrest or neck pillow to keep her head elevated. Whether functional or purely decorative, such headrests were crafted from a variety of materials and were often decorated with elaborate patterns or symbolic motifs. This porcelain headrest...

This pair of Chinese ceramic headrests feature a green, brown and blue glaze as well as floral motifs. They also feature pierced sides with sy...

A stoneware figure depicting a seated armored warrior with a striking pose circa 15th-17th century. He is likely one of the four heavenly kings, th...

A delightful famille verte enameled porcelain figural group of the He-He Er Xian, the Twins of Harmony and Union, late Qing Dynasty, circa 1900, China. The He-He Er Xian are portr...

A pair of Chinese stoneware horseshoe cross chairs circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offeri...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

Impressive and quite rare Pair of Hand Carved Giltwood Hardwood hanging Wall Carvings of Chinese origin, last quarter of the Nineteenth Century. Each beautiful carving depicts a bi...