Pair of Tall Circa 1910 Satsuma Vases

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

A mid-20th century Japanese Satsuma vase with figures. Satsuma ware is a style of Japanese earthenware originally from the Satsuma region of what is today southern Kyushu. There are two distinct categories of this ware: The original plain dark clay early Satsuma...

A miniature vase in elegant upright form reminiscent of the Chinese imperial Willow Leaf form made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many a...

A fine diminutive, antique Japanese Satsuma pottery cabinet vase. Decorated throughout with gilding and raised enamel. There are...

A petite and beautiful hand-decorated ceramic baluster vase, painted all around with traditional Japanese motifs, including native flora, birds and bamboo stems on a creamy glazed background. The colour palette is bold and bright, with highlights of green, red and blue, together with plentiful gilt relief...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A Satsuma baluster form vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsuma artists from Meiji Peri...

A beautiful Japanese Satsuma vase, circa early-20th century, late 1930s-1940s, Japan. Colors include red, black, gold, yellow, white, burgundy, green, and flesh tones. No chip noted....

A tall ceramic satsuma ware vase in a rare slender trumpet form with very fine surface decoration by Japanese potter Taizan Yohei IX (1864-1922). The vase was dated to late Meiji period circa 1890-1900s. The main motif and the focal point of the vase is the continuous panel that circumvents the entire mid-body, apparently a rendition of the Boy's Festival, known as "Tango no Sekku" in Japanese. The traditional festival is celebrated on May 5th of each year. Originated in Nara Period...