Early 20th Century Ceramics

Late Qing or Early Republic Period Birds Flowers Vase mounted as a Lamp, no lamp shade Very finely painted motif and beautiful color. The old fixture mounted with vase. The vas...

A stunning antique Chinese white glaze porcelain brush pot of cylindrical shape finely moulded in relief with duelling dragons above waves with leaping fish and other moulded decorat...

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

A rare & important set of four large antique Chinese Qing dynasty hand-painted porcelain plaques; of the "Four Seasons", housed in the original Hongmu wood frames. Each plaque is fin...

Antique red lacquer wood container was used to store rice or grains. The red lacquer container with two side short handles round shape, construct...

From our Japanese Satsuma Collection, we are delighted to offer this Japanese Satsuma Vase by Ryokuzan 緑山. The Satsuma vase of ovoid shape with a tapered body, circular foot rim, wai...

A fine quality Chinese onion shape bottle vase decorated in mottled glazes dating from the latter 19th or 20th century. The stoneware vase stands raised on a narrow round foot and ha...

A small and well cast Chinese archaistic bronze tripod incense burner, censer, late Qing Dynasty, circa 1900, China. The small censer features a squat and bulbous body, very short n...

A Chinese Famille rose Porcelain plaque Early 20th century Signed Chinese Famille rose porcelain plaque of two men watching a crane in flight. Two seals at lower right. Nicely...

Large Pair of Turquoise Chinese Export Figures of Seated Ducks China, 1900s A good pair of Chinese Export Figures of Seated Ducks in a stunnin...

A large Chinese Rose Medallion porcelain punch bowl. In the Rose Medallion (Famille Rose) style. The central cartouche of the bow...

This blue-and-white porcelain teapot dates to the early 20th century and would have been used as either a teapot for brewed tea or as a ewer for dispensing boiled water during tea ce...

Meiji Period (1868-1912) From our Japanese collection, we are delighted to offer Japanese Meiji Period Satsuma Vases. The Satsuma Vase of hexagonal form with a slight waisted neck and tight rounded rim is extensively decorated with multiple figures to two large scenes. The first scene features a beach with waves to the background and a plethora of figures including multiple geisha holding traditional Japanese wagasa’s. The second scene follows on from the first with a large building in the foreground holding figures on a large platform under a pagoda roof with a pagoda building in the background and further figures in the foreground. The scenes are framed by a full detailed border with gilt shapes, flowers amongst pink shaded backgrounds and butterflies around the neck. The Satsuma Vase is unusually signed Fine Art, Satsuma Ware, Dai Nippon (Great Japan), Hattori Made, Gosuido Works, Taizan Painted. 美術, サツマヤキ(薩摩焼), 大日本, 服部造, 五スイ堂工, 對山画 and dates to the Meiji Period (1868-1912) and the turn of the 20th century circa 1905. Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyushu, Japan’s third largest island. Wagasa are traditional Japanese umbrellas made of washi paper attached to a bamboo frame and treated to ensure it is waterproof. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

From a small collection of five Persian hand painted pottery vases is this stylish earthenware bottle shaped vase hand painted with a hen and cockerel amidst flowering stems and dati...

A fine antique Japanese Satsuma pottery incense burner. With a cream ground and an extensively gilt exterior. There are numerous cartouches around the censer with each having a un...

This whimsical Chinese ginger jar is decorated with famille verte enamels for an allover design of leafy green cabbage. Depicting the white stalks and curling leaves of a head of nap...

Fine quality large pair of antique Japanese imari vases having a quality large pair of antique Japanese imari vases, decorated with flowers, leaves, trees, insects, birds and scrolls...

A porcelain Blanc de Chine Guanyin statue standing on a fine lotus flowers and leaves decoration ; China circa 1900. This is a tall piece to place on a large mantel or a commode, the...

A pair of fine antique Chinese porcelain vases In the Rose Medallion style. With 4 gilt handles around the neck in the form of foo dogs and lizards. The mouth/rim of the vase is f...

This captivating Meiji period (1868-1912) porcelain vase features a mesmerizing celadon glaze, with a subtle crackled texture. Exquisite details, meticulously hand-painted in vibrant...

Fine quality unusual antique Japanese imari fan shaped plate, having a fine quality unusual fan shaped Japanese imari plate with a scallop shaped edge, decorated with flowers, birds,...

For your consideration is a pair of finely hand painted Chinese globular porcelain vases, from early 20th century. The heavy porcelain body is in elegant globular form and covered with thick creamy white glaze. The top opening rim is painted with gold as well as the double rings around the shoulder. The neck and body are fully decorated with same pattern. A group of different colored bats represent the wish of prosperity in Chinese culture. Surrounding the bats are branches bearing full ripe peaches, extending from a Chinese longevity symbol...

This antique Chinese ginger jar, from the Qing Dynasty, is beautifully decorated in the Famille Rose palette, known for its delicate pinks, greens, and intricate detailing. The jar d...

This pair of Chinese ceramic headrests feature a green, brown and blue glaze as well as floral motifs. They also feature pierced sides with sy...

This colorful porcelain bowl dates to the early 20th century and was once used for serving food or presenting food offerings on a home altar. Shaped like an eight-petal flower, the d...

Marvelous antique foo lion dog sculpture in green glazed ceramic. This outstanding object was hand-made in the early 1900s. This fine quality ceramic scu...

Exquisite Meiji period Japanese Kutani sculpture of a sleeping cat in fine porcelain, inspired by the small wooden sculpture at the entrance of...

NIPPON - MORIMURA BROTHERS (Manufacturer) - Antique hand painted ceramic center bowl - rare design featuring flowers and arabesque scrolls in the P...

Large colorful vintage Chinese porcelain fishbowl/planter from the Qing period. Features classic oriental floral motif. Overall, the piece is in won...

A rare and important pair of early 20th century Chinese Export polychrome ceramic foo dogs. Both in traditional dress and modelled with open mouths and seated, one with a paw resting...

Pair of Guangxu period, early 20th century (1900-1910), Chinese Porcelain Vases Decorative Object CA LA. Very beautiful and detailed pair of Chinese Porcelain vases circa early 19th ...

A wonderful green glaze typical of Chinese "Shiwan" pottery adorns this early 20th Century Chinese storage jar. The jar likely occupied a private home to store grains or other househ...

An Exquisite Suite of Three French Silver-Mounted Chinese Porcelain Snuff Bottles with Coral and Sapphire Adornments by Cartier, Presented in Original Fitted Box This exceptional su...

Three-panel folding screens with central porcelain plaque depicting a standing royal with attendants flanked by panels depicting foliage, birds, and bat. From a Southampton, Framed b...

A wonderful Korean celadon vase, called a maebyeong, in the Goryeo style, but of early 20th century manufacture. The maebyeong vase with a beaut...

GLOBULAR FORM MINIATURE VASE From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Kinkozan. The Satsuma Vase made from earthenware pottery is potted...

This is a blue Chinese ceramic ginger jar with metal top dating to the early 20th century Dimensions: Height 18.5cm diameter 17cm.   

Early 20th century Chinese Famille Noire porcelain ovoid ginger jar with lid. Wonderful ovoid shape jar with nature themed design hand painted with large birds, flowers, koi fish, l...

A delightful famille verte enameled porcelain figural group of the He-He Er Xian, the Twins of Harmony and Union, late Qing Dynasty, circa 1900, China. The He-He Er Xian are portr...

A fabulous pair of small Chinese molded and glazed biscuit ware porcelain dragon vases with loose eyes and apocryphal Qianlong mark, Republic Period, circa 1920, China. The small ...

20th Century green and white enamelled cast iron radiator cover with opening access doors to the front and sides. Very good condition and no r...

A fine pair of monumental antique Japanese Satsuma vases with stands, circa 1900. The vases having an ivory background and are finely gilded & handpainted with enamels of Samurai wa...

A delightful Swatow ware Chinese export shipwreck porcelain kendi featuring a writing dragon and an apocryphal Tongzhi mark, late 19th or early 20th centur...

A fine large antique Japanese Meiji porcelain bowl. With a white ground and extensively gilt throughout. Primarily decorated in red, blue, and gold with bits of green, brown, and ...

A highly decorative and well-crafted pair of phoenix birds, made in colorful, polychrome porcelain/stoneware. Height: 47 cm. The figures date from the early 20th C during the Qing dy...

A finely decorated Japanese satsuma ceramic vase by Ryozan Okamoto (c.1820s-1910s) for Yasuda. Ryozan is the head artist working for Yasuda company, a Japanese ceramic makers and dea...

A Korean porcelain brush holder in cylinder log form from the end of Joseon dynasty to Korean Empire circa late 19th century to early 20th century. Cherished by the scholars, brush p...

An exquisite small Japanese Satsuma vase decorated with butterflies, signed Kinzan, Meiji Period, circa 1900, Japan. The small vase is delicately and meticulously painted with desig...

Quality Antique Hand Painted Japanese Large Imari square plate having quality hand painted panels, with a vase of flowers and leaves to the centre, surrounded by panels of flowers, l...

Made by the studio of the legendary Japanese imperial potter Makuzu Kozan (1842-1916), this is a large porcelain vase glazed in a soft yellow color with a subtle gradient, on top of ...

Early 20th century porcelain Maneki Neko, Japan This porcelain Maneki Neko, the good fortune beckoning cat, is a molded seated form with the right raised paw closely to the side of ...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

Early 20th Century Famille Rose Porcelain Planter. Planter is decorated with a continuous figural family scene of a man, woman, child and elder. All are dressed in traditional garmen...

A very stylish good quality Chinese Jun Ware pottery bowl decorated with blue over red hares fur glazes and dating from the latter 19th or 20th century. The well potted bowl stands r...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

Japanese Satsuma vases from the circa 1930-1940 period are a particular style of ceramic art that originated from the Satsuma province of Japan. Satsuma ware is renowned for its intricate hand-painted designs, rich colors, and distinctive crackled glaze. Satsuma ware dates back to the early 17th century, but it gained widespread popularity in the late 19th and early 20th centuries, including the 1930s and 1940s. Satsuma vases produced during this time often reflected a mix of traditional and modern influences, as Japan went through a period of cultural exchange and artistic experimentation. Satsuma vases are made from a type of Japanese earthenware clay known for its fine texture and malleability. The vases are hand-formed or wheel-thrown and then meticulously hand-painted with intricate designs using enamel paints. The distinctive crackled glaze was achieved by firing the vases at a relatively low temperature, allowing the glaze to crack during the cooling process. The moriage technique involves applying three-dimensional, raised ornamentation to the surface of the ceramic piece, creating a visually textured and layered effect. Artisans create three-dimensional patterns, designs, or intricate motifs using a special mixture of clay, slip, or porcelain paste. The raised elements are added by hand to the ceramic body, and each detail is carefully shaped to achieve the desired effect. The moriage is then gold gilded as some of the intricate ornamental patterns and the halos around the three immortal...

Quality antique Japanese imari plate, having a quality antique Japanese imari plate with a raised scalloped shaped edge decorated to the centre with flowers surrounded by panels with...

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...

Antique iron red (orange) and gilt decorated porcelain bowl - featuring hand painted bats surrounding a shou character beside peaches and scrolling foliage - gilded border edge - Gua...

Chinese Famille Verte "Warriors" Bowl, six character red Kangxi mark to underside, on carved wood presentation stand. 6.75" H x 15.75" Diameter. Provenance: From an East 72nd Street ...