Rare Japanese Hexagonal Kutani Pottery Incense Burner Meiji Period

Antique Meiji period Japanese porcelain temple jar with intricate hand painted decoration and gilt. The jar in Classic Kutani colors with floral and phoenix birds all over the top an...

A fantastic Japanese Satsuma incense burner, koro, with phoenix and brocade designs and a silver lid, Meiji Period, late 19th century, Japan. The cens...

A fine and elegant Japanese Satsuma tripod incense burner, koro, with pierced metal lid, signed Eizan (?) Meiji Period, late 19th century, Japan. The koro, or censer, features a stoneware body of slightly compressed globular form, supported on three short and squat legs. The wide mouth with a recessed metal rim, and topped by an openwork metal lid topped with overlapping chrysanthemum blossoms of silver repousse. The body of the koro finely painted with fan shaped cartouches. The fans in the foreground with sprays of blossoming chrysanthemum. The fans in the background with intricate geometric brocade designs. The shoulder of the incense burner decorated with cartouches formed as stylized chrysanthemum petals, and intricately decorated with geometric and floral brocade designs. The painting finely done in raised gilt and polychrome enamels, including the highly desirable gosu blue...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

A fine Japanese Satsuma stoneware incense burner, koro, Meiji Period, late 19th century, Japan. The koro of square shape with curved sides,...

A gorgeous green glazed large Chinese pottery censer of Archaistic shape called a fanghu, set on a separate stand, Qing dynasty, second year of Tongzhi, 1863. The censer or incense burner crafted in two parts and covered in a thick, runny and unctuous glaze, ranging from dark green to turquoise green, to pale celadon. The neck with shou (longevity) medallions. The body decorated in relief with fruit, pomegranate and finger citron (Buddha's hand). The sides fitted with lion mask handles. The stand with a key fret design, and a pierced Chinese...

Exquisite contemporary Japanese Kutani decorative porcelain incense burner/jar, intricately hand painted with high purity gold on an elegantly...

A large and fantastic Japanese cast bronze incense burner, koro, with high relief design, Meiji period, late 19th century, Japan. The large and tall koro cast in extremely high re...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...