A Set of 5 Neolithic Majia Kiln Chinese Pottery

A collection of three small Chinese Neolithic pottery jars consisting a red slender jar with large double ears, a grey and wide short jar wit...

An attractive Neolithic Chinese burnished red pottery vessel, Qijia Culture (2200 BC - 1600 BC), modern day Gansu Province, China. The vessel of compressed globular form set on a short, pieced pedestal foot, and featuring two ear handles, a short, wide neck, and slightly everted mouth. A simple incised band decorates the otherwise plain body. The red pottery with a beautiful rich terracotta hue. The slight burnishing makes the vessel glow. The Qijia Culture was a late Neolithic...

A sublime Chinese neolithic burnished red pottery jug, Qijia Culture (2200 BC - 1600 BC), modern day Gansu Province, China. The simple jug of alluring form, with a voluptuous body, short, narrow neck with slightly everted mouth, and a single ear handle. The red pottery of gorgeous shades of terracotta, and slightly burnished. Overall surprisingly contemporary for a piece over three thousand years old. The Qijia Culture was a late Neolithic...

Amazing set of four Chinese Shiwan pottery figures depicting immortal gods or dieties. Beautifully glazed and made on a large scale with fascinating fac...

An excellent antique pair of Blanc de Chine or Dehua kiln Chinese porcelain vases, circa early Republic period from 1910s to 1920s. Incredible latticework pattern, the very intricacy...

20th century rare Qing dynasty crackled (GE) glazed vase with molded three dimensional dragon forms. This very fine quality vase is particularly interesting by the presence of a kiln...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of pheasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...

Description Lovely Chinese set of Shiwan figurines. middel of 20th century. Condition Overall Condition They had a life, with some damage like missing pieces etc. In general...

The lid of this petite trinket box is a shard of glazed porcelain, a remnant of the antique pottery destroyed during the Cultural Revolution of the 1960-70s. Likely dating to the lat...

This hand sculptured, circa 1900 Chinese Shiwan pottery lamp depicts two Chinese scholars within a country landscape. Sometime in the mid-20th century t...