Shigaraki Tanuki 3 - A Charming Ceramic Symbol of Japanese Tradition, Good Fort

An antique Japanese stoneware storage jar, known as tsubo from Shigaraki kiln, circa 17th-18th century (early Edo possibly Momoyama period)....

A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese. Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...

Extra-large high-fired unglazed Shigaraki stoneware dobin tea-pot with such a wild vine handle, Showa period, 20th century, Japan, approx. H 44 x 35 x 19cm (17.32 x 13.77 x 7.48in)

A striking stoneware vase made in the tradition of Shigaraki ware by celebrated Japanese potter Kohyama Yasuhisa (1936-) in the year of 2005. Born in the town of Shigaraki, Yasuhisa ...

A Shigaraki stoneware jar by Japanese potter Shino Kanzaki (1942-2018). Kanzaki is a world renowned potter in Shigaraki who based his modern work on the ancient tradition of Shigaraki and Iga ware...

Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorne...

A near pair Hizen pottery jars from Artia Japan, circa mid-19th century of the Meiji Era. Heavy stoneware construction with overglaze enamels that was inspired by Chinese WuCai from ...

A quite wonderful Shigaraki pottery vase by renowned Japanese potter/ceramicist and Zen master Sugimoto Sadamitsu (1935-). Born in Tōkyō in 1935, Sug...

A Japanese Ao-Kutani stoneware dish with overglaze decoration in the shape of barbed quatrefoil shape from late Edo period, circa early mid-19th century. Around 1804, 100 years after Ko-Kutani (old-Kutani) ware disappeared abruptly after thriving from 1655-early 1700s, saiko-kutani (revived-kutani) was attempted by many kilns and several distinguished styles developed. Among them, Yoshidaya kiln attempted to revive the original style of Ko-Kutani known as Aote, which employed four dark colors: green, yellow, dark blue/black and aubergine to create bold and striking design. The Yoshidaya production was short-lived and lasted roughly from 1823-1831. This dish is likely dated from this period or shortly after. The overglaze design centered around a crouching tiger under a black bamboo grove in a deep green background, surrounded by luxuriant banana leaves in green and aubergine with black outlines. The base of a similar concentric barbed quatrefoil design is further decorated with black foliage outlines and marked with a square Fuku mark. For a Yoshidaya dish with identical shape but different landscape decoration, see lot 79 of sale 6547 Christie's London. Important Japanese and Chinese Art...

A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...