Sumidagawa pottery Monkeys vase, Ban-Ni, Japan, Meiji Period.

A fine pair of monumental antique Japanese Satsuma vases with stands, circa 1900. The vases having an ivory background and are finely gilded & handpainted with enamels of Samurai wa...

A fantastic small Japanese Satsuma vase with image of writhing dragons, Meiji Period, circa 1900, Japan. The vase of elegant baluster form, with a slightly flared foot, slender body...

From our Japanese Satsuma Collection, we are delighted to offer this Japanese Satsuma Vase by Ryokuzan 緑山. The Satsuma vase of ovoid shape with a tapered body, circular foot rim, wai...

FREE WORLDWIDE SHIPPING FROM KYOTO’S FAMED KINKOZAN WORKSHOP, A MEIJI-PERIOD SATSUMA VASE OF EXCEPTIONAL ENAMEL AND GILT. From our Japanese Satsuma collection, we are delighted to ...

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

FREE WORLDWIDE SHIPPING From our Japanese Satsuma collection, we’re pleased to offer this unusually shaped pair of Japanese Satsuma vases, signed by the artist Senzan 泉山 and dating...

A Japanese long neck porcelain vase circa 1900-1910s by the studio of Miyagawa Kozan (1842–1916), one of the most established and collected Japanese ceramist from the end of Meiji Period. Commonly known as Makuzu Kozan, which also appears as the signature on his work, his originally birth name was Miyagawa Toranosuke. He was the appointed artist to the Japanese Imperial household and his work was exhibited in many international fairs that the Meiji government participated at the turn of the century. This vase features an elegant Classic form with a slender neck and slightly flared mouth above a baluster body. It was finely painted with two swimming carps in a copper red underglaze among green ribbons like waves. The background display a brilliant verdant green overall, Around the fish a poetic hazy effect was emphasized for a visual complexity by Fuki-e (the blow painting), an invention in Kozan's studio. The new technical development of chemical colors from the west was embraced circa 1900s in Kozan studio. This empowered the more creative experiments with not only colors, but also concept of dimension, which led Makuzu Kozan's work to become a bridge between East and West aesthetics. This is particularly evident in this vase with the Masterly details of the brush strokes, the expertly employment of gradient of color, and a very realistic and detailed rendering of the fish and their vivid motions. For two similar examples of Kozan's work with similar carps decoration, see Page 148-149 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...

MEIJI PERIOD 1868-1912 From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Ryozan. The vase of tapered form with tightly pinched neck and flared to...

GLOBULAR FORM MINIATURE VASE From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Kinkozan. The Satsuma Vase made from earthenware pottery is potted...