Tatsuzo Shimaoka Signed Japanese Mingei Rope Inlay Mashiko Pottery Bowl Plate

A rare and fine vintage Tatsuzo Shimaoka (1919-2007) stoneware studio pottery plate of square form with raised rim and central recess. The plate h...

Extra-large high-fired unglazed Shigaraki stoneware dobin tea-pot with such a wild vine handle, Showa period, 20th century, Japan, approx. H 44 x 35 x 19cm (17.32 x 13.77 x 7.48in)

Celadon tea cup with corded patterns glazed in the Jômon zogan style made by Tatsuzô Shimaoka (1919-2007, Mingei school). Developed by himself, this style ...

This is an old Japanese sake bottle. It is from the Meiji period (1860s-1900s). It is made of ceramic and covered with paper. It is slightly cracked and reinforced with paper. The pa...

ISHIZARA PLATE – Old Japanese mingei Seto stoneware plate called ‘Ishizara’ (lit. ‘Stone plate’), Edo-Meiji period, 19th century, approx. D 33.5 x H 6cm (13.18 x 2.36in), once used a...

ISHIZARA PLATE – Old Japanese mingei Seto stoneware large plate called ‘Ishizara’ (lit. ‘Stone plate’), Edo-Meiji period, 19th century, approx. D 38 x H 6.8cm (14.96 x 2.67in), once ...

A heavily potted stoneware vase in cylindrical form, decorated with abstract strokes in iron rust glaze (known as Persimmon Glaze in Japanese) on a black glazed background. The pattern suggests autumn grasses, and it was applied with free hands. The vase is attributed to Japanese potter Hamada Shoji...

A very nice and beautiful bowl. Medium size. With a stunning scene of flowers Exquisite Nabeshima bowl The Nabeshima kilns were the earliest makers of porcelain in Japan and the clan's artisans have continued their excellence for nearly 400 years. Nabeshima ware...

Handcrafted Japanese ceramic bowl signed Jin Kobayashi. Large stoneware plate hand made and hand painted with autumn leaves design. Hand-carved ge...

A striking hand-thrown ceramic bowl by celebrated Japanese artist Shigemori Yoko (1953–2021), known for her expressive, calligraphy-inspired brushwork and sculptural organic forms. This dynamic piece features an asymmetrical form with bold black abstract strokes against a smooth, white glaze — a signature style that blends traditional Japanese ceramic techniques with avant-garde sensibility. The gestural brushwork evokes spontaneous ink painting and speaks to the artist’s early training in painting before turning to ceramics. The exterior is subtly textured, with soft ridges from the wheel and slight warping that enhances the tactile, handmade quality of the bowl. Both sculptural and functional, the piece embodies wabi-sabi aesthetics and would make a striking centerpiece or collectible art object. Shigemori Yoko studied under master ceramicists Kondō Yutaka...