Japanese Edo Period Black and Gold Lacquer Vanity Box, circa 1800

A fine Japanese export red lacquer box with Masonic symbols Kyoto/Nagasaki, 1800-1820 Red lacquer decorated with scattered flowers and flying birds with long tails in gold, wit...

A Japanese ink stone box (known as Suzuribako) with exquisite maki-e decoration from Edo period (circa mid-18th century). The box features a rectang...

19th century Japanese black and gold lacquer Suzuribako box with firefly and plum blossom design.

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

A black lacquer tebako (hand box) with maki-e decoration and silver trim, circa late 19th century, Meiji period. The surface of the lid features a Rinpa style maki-e paint depicting ...

A four-tier Japanese Meiji period black lacquer Jubako box with stork and fir tree decoration. Box in four sections with lid.

A high quality, antique, Japanese black lacquer document box. It has an external design of gold maki e plum blossoms. In Japanese culture plum blossom symbolises the beginning of Spring, having its own festival, the Ume Matsuri, alongside the more famous cherry blossom festival...

A fine antique Japanese Meji Period lacquer box decorated with a fan and a stylized star shaped window in the maki-e technique. The fan at the top right corner, fully opened depictin...

A Japanese Lacquer writing box Suzuribako Meiji Period (1868-1912), likely circa late 19th century. This suzuribako is one of the most unusual boxe...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...