Japanese Lacquered Inro and Netsuke with Raijin Rinpa School

Inro with four gold lacquer boxes, decorated with a lake landscape. Accompanied by a bronze ryusa manju. Small boxes formed of compartments that fit one on top of the other, inro (? ?) are traditional Japanese clothing...

Superb rectangular ‘Rinpa School’-style black lacquer suzuri’bako (writing box) with a slightly arched well-fitted overhanging cover with rounded corners. The lid with a design of a gosho’guruma (ox-drawn carriage for Heian-era nobles) featuring golden hiramaki-e (low-relief lacquer design) and takamaki-e (high-relief lacquer design), inlays of lead and shiny mother-of-pearl (raden). The design continues along the sides. The reverse of the lid decorated with two large curving pine trees (matsu) executed in the same way, but also with intricate dots of tiny pieces of inlaid blue mother-of-pearl along the golden trunk. The interior shaped to hold various scholar’s accessories, including a partially gold lacquered inkstone (suzuri) and a bronze waterdropper (suiteki) shaped like a mythical minogame. The interior inscribed ‘Hokkyô Kôrin zô’ (Made by Hokkyô Kôrin). Referring to the design being in style of the master Ogata Kôrin, but the actual lacquer artist is unknown. It is a homage to Kôrin by an artist that followed the school of Rinpa. Including black lacquer wooden tomobako (tomobako). The Rinpa School was a key part of the Edo period revival of indigenous Japanese artistic interests described by the term yamato-e. Paintings, textiles, ceramics, and lacquerwares were decorated by Rinpa artists with vibrant colours applied in a highly decorative and patterned manner. Favoured themes, which often contained evocative references to nature and the seasons, were drawn from Japanese literature, notably The Tale of Genji, The Tales of Ise...

The Inro is comprised of three stacked compartments and features a deer motif with mother of pearl accents, an ojime and a wooden frog netsuke. Inros were used to store items like m...

A stunning Japanese Edo period lacquer tanzakubako, box for poem cards, late 18th-early 19th century, Edo Period, Japan. Attributed to the Igarashi School, this box is masterfully ...

Beautifull Inro of three compartments made in kinji lacquer with an hiro maki-e ornament chrysanthemum flowers of gold and silver lacquer. Inside is in fundame lacquer. Signed by J...

This is a good example of a traditional Japanese Hokai shell storage box for the Kai-awase game. This box is well-detailed in chased brass appliques and makie. The box is in overall ...

The case decorated overall in crackle-glaze white lacquer and fitted with a patinated metal carrying handle over three tiers of small drawers. The first two tiers are comprised of a ...

19th century Japanese black and gold lacquer Suzuribako box with firefly and plum blossom design.

A four-tier Japanese Meiji period black lacquer Jubako box with stork and fir tree decoration. Box in four sections with lid.

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...