Lead Lacquer

Superb rectangular ‘Rinpa School’-style black lacquer suzuri’bako (writing box) with a slightly arched well-fitted overhanging cover with rounded corners. The lid with a design of a gosho’guruma (ox-drawn carriage for Heian-era nobles) featuring golden hiramaki-e (low-relief lacquer design) and takamaki-e (high-relief lacquer design), inlays of lead and shiny mother-of-pearl (raden). The design continues along the sides. The reverse of the lid decorated with two large curving pine trees (matsu) executed in the same way, but also with intricate dots of tiny pieces of inlaid blue mother-of-pearl along the golden trunk. The interior shaped to hold various scholar’s accessories, including a partially gold lacquered inkstone (suzuri) and a bronze waterdropper (suiteki) shaped like a mythical minogame. The interior inscribed ‘Hokkyô Kôrin zô’ (Made by Hokkyô Kôrin). Referring to the design being in style of the master Ogata Kôrin, but the actual lacquer artist is unknown. It is a homage to Kôrin by an artist that followed the school of Rinpa. Including black lacquer wooden tomobako (tomobako). The Rinpa School was a key part of the Edo period revival of indigenous Japanese artistic interests described by the term yamato-e. Paintings, textiles, ceramics, and lacquerwares were decorated by Rinpa artists with vibrant colours applied in a highly decorative and patterned manner. Favoured themes, which often contained evocative references to nature and the seasons, were drawn from Japanese literature, notably The Tale of Genji, The Tales of Ise...

An old Japanese lacquered small box likely used to contain incense powder called Kobako, circa Momoyama to early Edo period (16-17th century). The rectangular form box with a fitted ...