A Pair Of Japanese Lacquer hakko Bako Boxes And Covers Edo Period

A stunning Japanese Edo period lacquer tanzakubako, box for poem cards, late 18th-early 19th century, Edo Period, Japan. Attributed to the Igarashi School, this box is masterfully ...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

A pair of Edo period black and gold lacquer Samurai helmet boxes (Hakko Bako), each of ribbed cylindrical form with a lid, a black lacquer interior,...

A Japanese lacquered wood fubako (a box used to store document or small scroll painting), circa second half of 19th century late Edo period. The rectangular box features an unusually deep lipped lid with slightly rounded corners, a conforming lower box that is almost entirely covered by the lid which has two bronze medallion rings with tasseled...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

A spectacular Japanese maki-e lacquer lidded box, possibly a writing box, suzuribako, decorated with images of folding fans, ogi, Edo Period, earl...

A fine Japanese small lacquer box for precious incense, kogo, Edo period, mid 19th century, Japan. The small box of gold lacquer and wonderfully dec...

A very fine Japanese maki-e lacquer decorated tabako bon, or smoking box, late Edo Period, mid-19th century, Japan. The elegant smoking box of black lacquer decorated with a wonderful gold lacquer takamaki-e design of a gnarled and elegantly twisted plum tree with branches in full bloom. A border of golden cranes in flight to the top. The smoking box, called a tabako bon, is comprised of an open section at the top with inset with two cylindrical metal canisters...

A highly unusual Japanese crackle glazed koro (incense burner or censer), lacquered and inlaid with mother-of-pearl embellishment, signed Gyokusen, Ed...

A large and magnificently decorated Japanese lacquer document box, ryoshibako, signed Umeboshi/Baikyo, late Edo or early Meiji Period, mid 19th century, Japan. The large document box, ryoshibako, of tall, rectangular shape with rounded corners, and fitted with an inrobuta (flush-fitting) cover with beveled edges. The exterior of this exquisite box is decorated all over with fifteen different raised reserves shaped as uchiwa (paddle) fans against a lush and intricate krikane ground imitating shagreen. The uchiwa shaped reserves all of takamaki-e, and exquisitely painted with designs of animals, flowers, and landscapes in silver, gold, maki-e, hiramaki-e, and takamaki-e, with kirikane, nashiji, and polychrome embellishments, upon gold lacquer fudame grounds. The interior of the lid is nothing short of spectacular, featuring a large design of a magnificent and beautifully detailed rooster and hen with chicks gathered around a lazy stream. Large stalks of chrysanthemum bloom behind them. All against an ethereal nashiji ground. The cover of the box features five reserves: 1. Three minogame (turtles with long tails), symbolizing longevity 2. "Narihira Crossing the Sumida" from The Tales of Ise...