A superb Japanese export lacquer writing box

With intricate construction and exquisite decoration, this fine tabletop writing set is a masterpiece of Japanese lacquerware. The matching set includes a writing table (bundai) and poem box (tanzaku bako), both decorated with gilt lacquer in the style of takamaki-e and hiramaki-e urushi lacquer. Framed by everted ends, the lacquered table top is masterfully worked, depicting a robed man seated on a veranda within an idyllic mountain-and-water landscape. Swirling clouds drift overhead and pine trees bend towards the sky, formed of raised lacquer (takamaki-e) and mother of pearl inlay (raden). Dark lacquer at the corners imitate metal hardware and the sculptural corner legs are decorated with raised motifs of maple leaves. The writing table includes a matching poem box (tanzaku bako), used for storing paper cards of painted calligraphy and poetry. The lid is similarly decorated in shimmering gilt lacquer with a raised design of a fine carriage beneath a pine tree, draped in cloths and shaded by bamboo blinds...

A Japanese Lacquer writing box Suzuribako Meiji Period (1868-1912), likely circa late 19th century. This suzuribako is one of the most unusual boxe...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

Rare pair of Japanese Nagasaki Export lacquered wood knife boxes with mother-of-pearl inlay of flowers and birds, now converted to letter boxes...

This exquisite Meiji-period lacquer document box known as a ryoshibako showcases the meticulous artistry of maki-e, a technique of raised lacquer decoration. Adorned with gold and vi...

A captivating lacquer suzuri’bako (writing box) of rounded rectangular form depicting a pair of shishi (temple lions) and the lucky god Hotei 布袋 on a rôiro...

Wheels Submerged in flowing water motif, believed to be a subject popular in samurai families. Example of the same subject matter in Tokyo National Museum.

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...

Antique Japanese export lacquer and gilt bamboo stick stand, see more pictures, 46'' x 27.5'' x 10''.  

Superb rectangular ‘Rinpa School’-style black lacquer suzuri’bako (writing box) with a slightly arched well-fitted overhanging cover with rounded corners. The lid with a design of a gosho’guruma (ox-drawn carriage for Heian-era nobles) featuring golden hiramaki-e (low-relief lacquer design) and takamaki-e (high-relief lacquer design), inlays of lead and shiny mother-of-pearl (raden). The design continues along the sides. The reverse of the lid decorated with two large curving pine trees (matsu) executed in the same way, but also with intricate dots of tiny pieces of inlaid blue mother-of-pearl along the golden trunk. The interior shaped to hold various scholar’s accessories, including a partially gold lacquered inkstone (suzuri) and a bronze waterdropper (suiteki) shaped like a mythical minogame. The interior inscribed ‘Hokkyô Kôrin zô’ (Made by Hokkyô Kôrin). Referring to the design being in style of the master Ogata Kôrin, but the actual lacquer artist is unknown. It is a homage to Kôrin by an artist that followed the school of Rinpa. Including black lacquer wooden tomobako (tomobako). The Rinpa School was a key part of the Edo period revival of indigenous Japanese artistic interests described by the term yamato-e. Paintings, textiles, ceramics, and lacquerwares were decorated by Rinpa artists with vibrant colours applied in a highly decorative and patterned manner. Favoured themes, which often contained evocative references to nature and the seasons, were drawn from Japanese literature, notably The Tale of Genji, The Tales of Ise...