Lacquer Asian Art and Furniture

This elegant katana kake (sword stand) is crafted from wood and finished with a rich lacquer coating. Its surface is adorned with a striking gold maki-e depiction of a dragon — a tim...

Early 20th century, Meiji period shibayama wall plaque depicting a mother of pearl eagle perched on a flowering tree, set on a black lacquer background, with a reddish brown oval frame painted...

Vintage Chinese eight panel coromandel screen composed of wood and lacquer. This screen depicts daily life on one side and a landscape with birds and fauna on the other side.

Antique Japanese Samurai Suit of Armor, Edo period, 18th century. A complete matching set of lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga schoo...

This is an armour of samurai. It was made around 1900s in Meiji era. This armour was not used in actual war so it was made as decoration, because of that, it is in good condition as its age. There are some scratches and missing parts, if you need some more information, please let us know, we will respond you as soon as possible and send more photos. This armour can be folded in a box. The box is getting damaged so it is not in good condition. We might send this armour in other box. Dimensions: 50 x 50 x H170 cm Scholars agree that Japanese armour first appeared in the 4th century, with the discovery of the cuirass and basic helmets in graves. During the Heian period, the unique Japanese samurai...

This is an old Japanese carved wooden horse, a highly valuable piece created in the late Edo period (early 1800s–1860s). In Japan, it is known as a "Shinme" (sacred horse), a term re...

This is a huge old Japanese lacquer wood bowl. It was manufactured in 1906 (Meiji period), and its age can be read from the writing on the bottom. The material used is cedar wood, ma...

Red lacquer cabinet with painted landscape motif . Pair of open doors and two drawers inside. We carry fine quality furniture with elegant finished and has been appeared many times i...

Buck and doe under a red maple on heavy gold. Mineral pigments on gold leaf on paper with silk brocade border and black lacquer trim. White deer are considered a symbol of longevity ...

Lovely furosaki screen of plovers and waves and a bundled twig fence in gold raised relief. Mineral pigments on gold leaf with black lacquer trim. Original storage box.

Suzuribako (writing box) in black lacquer, rectangular in shape, with a gold lacquer (maki-e) decoration of a pavilion by the edge of a waterfall and a mountain river surrounded by v...

Imposing kobako in nashiji lacquer on a black ground, decorated with a motif imitating wood grain. The lid is adorned with an ikebana basket (hanakago) containing a bouquet of remark...

An old and exceptional completely lacquered akoda-nari suji’bachi kabuto (helmet with raised ridges) with a bronze maedate (decorative front piece) shaped like a spade, and mounted b...

An antique red lacquer stem dish from Japan, circa 17th century (Momoyama to early Edo period). This type of red lacquer finish is known as Negoro lacquer. It was developed by the me...

A fine set of a lacquer kiseruzutsu (pipe case), tabako-ire (tobacco pouch), and kiseru (pipe), signed on both the Pipe and Pipe Case. Decorated with a sake gourd suspended from a ma...

An Imperial Japanese Meiji Shibayama Tea Ceremony Cabinet by The Tokugawa Samurai Clan. This extraordinary Meiji-period shibayama cabinet, attributed to the Tokugawa samurai clan, s...

An attractive Japanese red lacquered Kamakura-bori inscribed presentation box, featuring peony, Showa Era, mid 20th century, Japan. The low box and cover carved with a bold and stri...

An exquisite antique Japanese Meiji period Shibayama Shodana cabinet, circa 1880. One of the finest antique Shibayama cabinets one will see, ...

This is a wooden bucket used by Japanese lacquerware craftsmen to store lacquer. It is believed to have been used from the Meiji period to the first half of the Showa era (1868-1940)...

This refined rectangular lacquer box was crafted during the Meiji period and showcases the height of Japanese raden mother-of-pearl artistry. The wood-core body is coated in deep bla...

Vibrant 20th century Chinese export coromandel screen depicting a walled pagoda courtyard. The lacquered panels are incised and decorated with colorful pigments of green, red, and wh...

Antique Japanese Yosegi (Marquetry) Shibayama Ko Tansu, Meiji period The marquetry is composed of keyayaki (zelkova) and kakinoki (persimmon) wood. Two small doors with inlaid Moth...

Beautifully hand painted and decorated grand scale Chinese export Eight-panel Coromandel screen featuring different hand painted Chinese scene on each side. One side depicting an hand painted and parcel gilded court scenes. The reverse features a Chinese landscape scene. The screen measures 96 inches...

Introducing an extraordinary and exceptionally rare pair of Chinese Cinnabar Carved Lacquer Vases from the Qianlong period. These monumental vases stand as magnificent examples of Ch...

This exquisite old Burmese lacquerware betelnut box, dating back to the early 20th century, showcases the rich cultural heritage of Burma (Myanmar). Crafted from traditional lacquerw...

A fine pair of antique late 19th/early 20th Century Chinese Ming style carved, lacquered & gilt throne armchairs, Qing dynasty, circa 1900. This very attractive pair of antique carve...

Large Red Offering Bowl Burma Late 19th/early 20th century Bamboo, lacquer D: 21 in x H: 7.5 in :: 78.7 cm x 19 cm Traditionally used to bring offerings to an altar, and to present ...

Late 19th Century Large Two Swection Antique Japanese Kitchen Tansu A Kyoto Mizuya Tansu also known as a Gifu Mizuya Tansu from the Meiji Period (1868-19...

Fine red lacquer low table / coffee table with fret work top, elegant fine red lacquer finished. Purchase red lacquer low table / coffee table also come with glass top that can place...

This Edo-period makie suzuribako features the legendary Heian-period general Minamoto no Yoshiie, widely known as Yawata Tarō, shown charging forward on horseback with bow drawn. Cel...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

A Japanese four-case inro stringed together with a silk cord of a carved wood Ojime and a carved ivory netsuke circa 19th century of Edo period. This fine piece was made in collabora...

Antique Burmese Carved Wood Panel of a Court Scribe. The standing heavenly being holds a manuscript with a brush in the right hand writing scriptur...

Vintage 20th century red cinnabar trinket box with ring. Hexagonal shaped box with geometric pattern around the sides and lid featuring a pair of figures under a gnarled pine tree. R...

Gorgeous Chinese export four-panel coromandel screen featuring a courtyard scene of beauties engaged in leisurely activities. The lacquered panels are incised and painted in soft pas...

This captivating early 20th-century lacquerware box transports you to a serene Chinese farming village. The fully carved lid unfolds a scene of daily life: two men, one seated on a ...

Each 17.5" wide panel is decorated on both sides with traditional lacquer, carved painted motifs (the front featuring figures in a garden landscape and the reverse with variou...

18th century painting of European hound and her pup. Mineral pigments on gold leaf with black lacquer trim.

An elaborate, large six-panel byôbu (folding screen) featuring a detailed genre painting on gold leaf, capturing the vibrancy of festive scenes from the Edo period. Central to the p...

Ink and minimal pigments on mulberry paper with black lacquer trim.

A fine antique gilt-wood & black lacquer Chinese Export Qing dynasty table desk, circa 1850. The table top is finely hand-painted to the top with a gilded landscape scene, depicting ...

Chinese Qing Dynasty wedding cabinet in black lacquer with red accents featuring large circular brass medallion hardware on two 45 inch high doors above two drawers. The interior is...

Gorgeous Chinese export eight panel coromandel double sided screen depicting Han Palace on the front side. The screen features heavily lacquered panels incised with color pigments an...

A refined medium-sized six-panel byôbu (folding screen) showcasing a classical autumn court scene from chapter 7 of The Tale of Genji (Genji Monogatari), titled Momiji no Ga (The Aut...

Unusual lacquer vase depicting wrestlers in different poses and a drummer. The figures and banderoles are painted with gold, silver and black color onto the brown/red lacquer. The va...

Red lacquer altar table with everted flangers.

Antique Chinese Lacquer Tray With Dragons. Our stunning Chinese lacquer tray is rectangular with two handles and hand decorated with gold ...

From our recent Japan acquisitions An important black lacquer treasure dated 1852 with its original box tomobako Superb antique Ohibachi (over sized hibachi) from late Edo era use...

Fine Pair Japanese Lacquered Wood Bowls 19th Century Meiji Beautiful and elegant example of Japanese lacquer ware with and gold gilt, Rice bowls ...

Incredible example of Asian lacquer carving. Standing over seven feet tall, this monumental display shelf was produced in Japan at the end of the Ed...

A fine and unusual Japanese lacquer box for incense accessories, kobako, featuring a tagasode (whose sleeves?) design, Meiji Period, circa 1900, Japan. The exquisite box of simple rectangular shape worked in maki-e lacquer, taka-maki-e, and raden, all against a lush ground of gold nashiji. Fitted with silver rims. The main decorative element of the box depicts a six panel folding screen, byobu, showing an interior scene with kimono strewn over a rack, a motif known as tagasode (whose sleeves), all in raised taka-maki-e lacquer and inlaid raden. The screen depicts an intimate room with tatami mats on the floor and sliding shoji doors in the background. The foreground depicts a large clothing...

A powerful and impressive large and tall Tibetan orange red lacquer painted storage trunk featuring a Kirtimukha, Face of Glory, late 19th or early 20th century, Tibet. The large storage chest...

Important unique set of two suits-of-armour (yoroi), complete with two high six-panel screens, that belong together as is indicated by the used family crests (mon). Two crests are used, both belonging to the Nakagawa family of Oka Castle, Ôita prefecture on Kyûshû. They are: – the Nakagawa-kurusu, a circle depicting a Celtic-like cross through a ring. The cross was originally a Christian symbol but after the ban on Christianity in Japan the use of a hidden cross in family crests could continue. – the Nakagawa-kashiwa, two leaves of the Japanese Emperor Oak turned to each other (dakikashiwa mon). The remarkable aspect of this ensemble is the presence of matching crests on both the yoroi and the accompanying folding screens. The kurusu and kashiwa crests adorning the yoroi are elegantly replicated on the screens, providing compelling evidence that these pieces form a harmonious and unified set. This exceptional cohesion between the armour and screens further enhances their artistic and historical value. After the warlord Toyotomi Hideyoshi (1537-1598) had interfered in the battle between the Lord of Bungo Province Ôtomo Yoshi-mune (1558-1605) and the Shimazu of Hyûga Province, he split the Bungo Province in a number of small fiefs and transferred in 1594 Nakagawa Hideshige (1570-1612) from Miki Castle in the Harima Fief to Oka Castle in Kyûshû. The Nakagawa family stayed in possession of Oka Castle till the abolishment of the military use of castles in 1873. In 1884 the Nakagawa family received the title of Count (a title in use till the abolishment of aristocracy in 1947). After the Nakagawa’s left, the castle and the building soon dilapidated and is now known as Oka Castle Ruins. The castle is located in Taketa Village part of Taketa Town in Ôita Province on Kyûshû. > Set of two tall byôbu (folding screens), painted with large red jinmaku (camp enclosure curtain) on a gold leaf ground. The curtains show both crests of the Nakagawa family: one screen depicts two Nakagawa-kurusu crests next to a Nakagawa-kashi crest in the middle, and the other shows the symbols the other way round. Dimensions: Total width 148.66 in/377.6 cm (2 x 25.35 in/64.4 cm, 4 x 24.48 in/62.2 cm); Height 72.63 in/184.5 cm. Period: Japan – Late Edo period (First half 19th century), and maybe even older. > Yoroi with Nakagawa-kashiwa crest: A Japanese black lacquered suit-of-armour (yoroi) completely laced with orange cords (kuro’urushinuri hi’ito odoshi nimai’dô’maru). A thirty-two plate suji’bachi kabuto (helmet with raised ridges) with in front a maedate (fore crest) -with traces of gilding- in the shape of flames, resembling a mythical flaming bird flying down. The fukikaeshi (face guards) and the mabizashi (visor) have the Nakagawa-kashiwa crest in gold maki-e lacquer. Five curved ‘itazane’-plate neck guards (shikoro) laced with orange cords. Together with an ‘angry man...

Fascinating large six-panel byôbu (folding screen) with a detailed genre painting on goldish silver leaf with different scenes of people at work in a rural mountain village during th...

This incomparable slant-front chinoiserie black lacquer secretary desk depicts a serene, traditional Asian motif from head to toe. The gold and greens appear as mystical and radiant...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

Vintage Black and Gold Leaf Lacquer Asian-Inspired Four-Panel Folding Screen. An Asian-Inspired Four-Panel Screen depicting colorful foliage, floral and grasses on a stunning gold le...

An elegant black lacquer square low table with gilt motif landscape top, gilt motif on apron and legs, simple and beautiful form. We carry Fine quality furniture with elegant finishe...

A set of four fusuma (sliding door) panels from the 19th century, painted in ink and colors on gold leaf. The panels depict a blossoming cherry tree extending beyond a woven fence an...

A very fine mid-Qing Dynasty Chinese hardwood and lacquer six-panel screen, Jailing Period, circa 1800. The hardwood frame inset with black lacquer panels. One side features an over...