F1 Japanese Art Copper Vase by Suga Gesshin, Takaoka Copperware

Japanese Meiji bronze Takaoka vase with waterfowl and moon design Meiji period (1868-1912) bronze vase from Takaoka, in Toyama prefecture, is a city historically known for its metal work. Vase has silver inlay moon and waterfowl, signature on the bottom: Yoshihiko, full name of artist...

This stunning Koro was crafted in Takaoka, Japan where craftsmen use intricate tooling and expert kills to create the delicate details found in this piece. Crafted of bronze, this Ko...

Beautiful Gyokusendou Hand hammered copper vase Gyokusendo Tsuiki Copperware is a traditional Japanese craft . It originated in Tsubame City, Niigata Prefecture ,with a history of...

Gyokusendo Tsuiki Copperware is a traditional Japanese craft . It originated in Tsubame City, Niigata Prefecture ,with a history of over 200 years. Tsuiki Is a metal working techn...

Unique design Japanese hand-hammered copper vase by Kyuhodou Dimensions: 20 cm , ( 7.8 inch) H.27 cm (10.6 inch), Weight : 1.2kg (2.6 lb) with original wooden box 1.9kg ( 4.2lb ) Lacquer display stand...

Dimensions: Height 16 cm Origin: Tsubame, Niigata, Japan Material: Pure copper (dōsei) A finely hand-hammered copper vase (tsuiki dōsei kabin) crafted by the renowned metalwork atel...

Dimensions: Height 18.7 cm Origin: Tsubame, Niigata, Japan Material: Pure copper (dōsei) A finely hand-hammered copper vase (tsuiki dōsei kabin) crafted by the renowned metalwork at...

Japanese hammered copper and mixed metal inlay Meiji period vase. The vase has a motive of a silver and shaudo dragon in the clouds. Precise execution. Bears signatures on the bottom.

A fine antique Japanese flower vase. In hand-hammered copper (or possibly a thin-bodied bronze) with applied silver bands to rim, footrim, shaped edge, and with a lotus petal border at the joint of neck and body. Having the usubata form with a wide flared neck and mouth. The 'usubata' vase is a form favored for large scale floral arrangements by the Ikenobo school, the oldest and largest school of Japanese ikebana founded in the 15th century by Buddhist monk Senno Ikenobo. It is believed that the wide and shallow rim of an usubata vase which displays the surface of the water best imitates natural conditions of growth while also contributing to the longevity of an arrangement with the increased surface area of the water better oxygenating the plants. The base retains still retains hand-hammered marks. There is evidence of seams and folds throughout from the construction, and the surface has a cloud-like brown patina throughout. Simply a wonderful Japanese mixed metal vase...

This is a copper vase made around the late Edo period. The body is cast. This is a vase for holding flowers to be offered in a tokonoma alcove or in front of a Buddha. The tip is sha...