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A superb Minangkabau red-enamelled and brass wedding crown or Suntiang

$3,382.32List Price

About the Item

A Minangkabau red-enamelled and brass wedding crown or 'Suntiang' A Minangkabau red-enamelled and brass wedding crown or 'Suntiang'West Sumatra, Minangkabau, probably 1st half 20th century H. 47.4 cm (incl. stand) Provenance: Private collection, the Netherlands The Suntiang: Crowning the bride In the Minangkabau culture, wedding crowns hold great cultural significance and symbolism. The Minangkabau people in West Sumatra, Indonesia, are well recognised for their very unique matrilineal social structure and abundant cultural heritage. One of their most visually captivating traditions is the usage of intricate bridal crowns, referred to as suntiang, worn by brides throughout traditional wedding rituals. The suntiang serves as more than a mere decorative head embellishment; it represents cultural heritage, societal principles, and the esteemed status of women in Minangkabau culture. Design The suntiang is an imposing headpiece, usually made from several layers of gold-plated metal or imitation gold, adorned with floral patterns, mainly chrysanthemum forms, carefully distributed throughout the tiers. Based on the social standing of the bride and the specific style of the location, a suntiang can vary in thickness from 3 to 11 layers, with certain intricate variations extending to 20 layers. The weight of the crown, which may surpass several kilogrammes, serves as an indicator of status and endurance, representing the fortitude and tenacity anticipated from the bride. The design of the suntiang is profoundly emblematic. According to tradition, the floral decorations orientated upwards symbolise purity, fertility, and prosperity. The predominant material, gold, represents not just affluence but also divine protection and spiritual purity, said to shield the bride from adverse influences. Each stratum of the crown contributes additional levels of significance, as higher tiers symbolise more sagacity and obligations as the bride assumes her duties as a spouse and parent. Social and cultural meaning Within the Minangkabau culture, characterised by a pronounced matrilineal structure, women have a crucial role in preserving the family's lineage and customs. The suntiang functions as a potent visual manifestation of this function, underscoring the significance of women in the society. The crown symbolises the profound concepts of reverence, dignity, and accountability that are firmly embedded in Minangkabau culture. By donning the suntiang at the wedding ceremony, the bride demonstrates her preparedness to assume her new obligations, while simultaneously highlighting the family's sense of pride and commitment to customs. The weight of the crown, commonly perceived as a load, symbolises the responsibilities that the bride would bear in her married life, emphasising the need of perseverance and fortitude in carrying out these tasks appropriately. Regional variations Although the suntiang is well acknowledged throughout the Minangkabau region, its style and design can differ greatly based on the local customs. Crowns in coastal regions often exhibit a greater degree of fragility and complexity, which can be attributed to the impact of commerce and foreign cultural exchanges. Conversely, the highland areas display a preference for more sturdy and intricate patterns, frequently including supplementary decorations and hues that symbolise the local culture. Within modern Minangkabau culture, there have been modifications made to the traditional suntiang. Contemporary brides may choose for lighter fabrics, which afford them enhanced comfort without compromising the magnificence and importance of the original design. Nevertheless, despite these modifications, the suntiang continues to be an essential element of Minangkabau identity, preserving its function as a representation of the ongoing continuity between historical customs and current rituals.

Dimensions:
Height: 18.67 in (47.4 cm)Width: 13.78 in (35 cm)Depth: 5.91 in (15 cm)
Materials and Techniques:
Brass,Enamel
Place of Origin:
Indonesia
Period:
Mid-20th Century
Date of Manufacture:
20th century
Condition:
Wear consistent with age and use.
Seller Location:
Amsterdam, NL
Reference Number:
1stDibs: LU5458241340982

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