Antique Japanese Porcelain Brushpot Holder Japan Landscape, Late Edo 18th/19th C

A heavy and finely cast Japanese bronze mirror with longevity symbols, Edo Period, 18th century, Japan. The small, round mirror with high walls...

An Ikebana brass vase, hand-crafted in Japan. Late 19th Century, Showa period. The finish is Murashido, a centuries-old technique that consists in quenching the cast brass in hot oil...

This porcelain wall plate is a decorative object manufactured in Japan at the end of the 19th century. This refined wall plate is completely ma...

A striking pair of antique Japanese abumi, dating to the Edo Period (1615-1868) Abumi are stirrups, and were an important part of a samurai armor set. The distinctive curved shape ...

We have an aesthetic sense peculiar to Japanese people. And we introduce the unique items that only we can do, the route of purchasing in Japan, the experience value so far, and the way that no one can imitate. Japanese antique black chest "staircase chest...

Finely carved as a small toads on top of a large toad, the surface finished to resemble the toad's rugged skin, signature on underside. In Japan, the toad is ...

We have a unique Japanese aesthetic sense. And only we can introduce unique items through our purchasing channels in Japan and the experience we have gained so far, in such a way that no one else can imitate. It is speculated that this pottery was fired in the Shodai kiln in Kumamoto Prefecture during the Edo period, around the 18th century to the first half of the 19th century. It is characterized by the use of iron-rich clay and the appearance of a white glaze that looks like falling snow. As a feature, using clay with a lot of iron, It is characterized by a white glaze that looks like snow. This vessel is made with two types of glaze. One is straw ash glaze and the other is rice husk ash glaze. This rice husk ash glaze changes to a white glaze. This pot is very beautiful with a petal-like rim. However, there is one spot where the crack has been repaired. The part marked with a red arrow has been broken once, but it seems to have been glued later. Therefore, it will not leak even if you put water in it. It's not very noticeable so I wouldn't worry about it. This Shodai ware was made in Kumamoto Prefecture and was used there, so there are not many items in Japan. It is a rare item. Also, a wooden box is included, but it says "Karatsu ware...

A fine and elegant Japanese Satsuma tripod incense burner, koro, with pierced metal lid, signed Eizan (?) Meiji Period, late 19th century, Japan. The koro, or censer, features a stoneware body of slightly compressed globular form, supported on three short and squat legs. The wide mouth with a recessed metal rim, and topped by an openwork metal lid topped with overlapping chrysanthemum blossoms of silver repousse. The body of the koro finely painted with fan shaped cartouches. The fans in the foreground with sprays of blossoming chrysanthemum. The fans in the background with intricate geometric brocade designs. The shoulder of the incense burner decorated with cartouches formed as stylized chrysanthemum petals, and intricately decorated with geometric and floral brocade designs. The painting finely done in raised gilt and polychrome enamels, including the highly desirable gosu blue...

Japanese Satsuma style censer and cover Late 19th century The bulbous body supported by four feet and set with two shishi han...

A large, heavy and uniquely shaped Japanese cast iron teapot tetsubin without top. Likely from late Edo/early Meiji Period. From a collecti...