Horn More Asian Art, Objects and Furniture

This exquisite antique wooden temple fragment, depicting a horse's head, hails from India and dates back to the 18th century. Measuring 46.5 cm in height, 12.8 cm in width, and 25.5 ...

This antique wooden temple fragment depicting a horse head originates from India and dates back to the 19th century. Crafted with meticulous attention to detail, the piece exemplifie...

Unusual antique Victorian quality hardwood walking stick having an unusual quality hardwood antique Victorian walking stick with a carv...

A impressive bronze Buddha head fragment displayed on wood stand circa late 19th century. The Buddha was cast in the early "U Thong" style that flourished between the 12-13rd century A.D in Central Thailand. The Buddha iconography of that period is exemplified by the influence from Mon and Khmer kingdom, featuring a more square face and a characteristic small band between the hairline and the forehead. This large Buddha head...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Lovely large Japanese cloisonné enamel charger Meiji Period (1868-1912). Measure: Large 14 inch. Intricate enamel over brass cloisonné portraying a colorful floral and foliage motif...

A fine and elegant Japanese Satsuma tripod incense burner, koro, with pierced metal lid, signed Eizan (?) Meiji Period, late 19th century, Japan. The koro, or censer, features a stoneware body of slightly compressed globular form, supported on three short and squat legs. The wide mouth with a recessed metal rim, and topped by an openwork metal lid topped with overlapping chrysanthemum blossoms of silver repousse. The body of the koro finely painted with fan shaped cartouches. The fans in the foreground with sprays of blossoming chrysanthemum. The fans in the background with intricate geometric brocade designs. The shoulder of the incense burner decorated with cartouches formed as stylized chrysanthemum petals, and intricately decorated with geometric and floral brocade designs. The painting finely done in raised gilt and polychrome enamels, including the highly desirable gosu blue...

19th Century (Meiji Period) Japanese bronze vase. It is realistically cast as a gnarled pine tree trunk with vines growing around it.  

Intricately hand carved from a single block of richly variegated stone, this incredibly detailed and elaborate, Chinese sculpture is a true work of art. It features a dragon on a car...

A large chinoiserie plaster sculpture Chinese figure under a pine tree Probably early 20th century. Large, possibly unique sculpture of figure under a pine tree with a rock for...

Discover the elegance of this antique wooden temple fragment, featuring a finely carved horse head from 18th-century India. Crafted from solid wood, this exquisite artifact stands 44 cm high, 10 cm wide, and 29 cm deep, with a weight of 4.51 kgs. Likely part of an ancient temple or chariot, this historic wooden sculpture showcases exceptional craftsmanship and cultural significance. A perfect addition for collectors of antique temple carvings...

The Antique wooden temple fragment of a Horse head is a remarkable and significant artifact originating from India. Crafted from wood, each statue stands at 37,5 cm in height and mea...