Early 18th Century More Asian Art, Objects and Furniture

Beautiful and rare flower shape Canton B & W porcelain platter. Dimension: Size: 19.8 cm x 26 cm.

Late 19th-early 20th century Chinese hand decorated porcelain figure. Beautifully hand decorated Chinese porcelain figure. This stunning colorful finely detailed figurine or sculptur...

Beautiful and rare boat shape Canton B & W porcelain platter. Dimension: size: 15.5 cm x 19 cm. Condition: excellent condition, no damage.  

A wonderful Japanese Buddhist portable traveling zushi shrine altar with Amida Buddha (Amitabha) concealed inside the folded wood doors. This work dat...

This stunningly enameled porcelain vase has a double mouth opening with hand-painted images of boys playing among the vines, gourds and gourd blossoms. There is a border of bat-like ...

We have an aesthetic sense peculiar to Japanese people. And we introduce the unique items that only we can do, the route of purchasing in Japan, the experience value so far, and the way that no one can imitate. Japanese antique black chest "staircase chest...

A impressive bronze Buddha head fragment displayed on wood stand circa late 19th century. The Buddha was cast in the early "U Thong" style that flourished between the 12-13rd century A.D in Central Thailand. The Buddha iconography of that period is exemplified by the influence from Mon and Khmer kingdom, featuring a more square face and a characteristic small band between the hairline and the forehead. This large Buddha head...

A fantastic Japanese powder horn. The horn has inlay of mother of pearl in the shape of a grasshopper. The Japanese craftsmanship at its best.

An antique red lacquer stem dish from Japan, circa 17th century (Momoyama to early Edo period). This type of red lacquer finish is known as Negoro lacquer. It was developed by the me...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Large 8-winged lacquer shade, richly carved with garden scenes, symbols, ornamentation, trees and birds. Early 20th century. H. 224 W. 320 cm. Age-related wear; marks, cracks and cra...

The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natura...