Marquetry More Asian Art, Objects and Furniture

Stunning mosaic design, this intricate wood box is made from multiple micro pieces of wood with some possible bone inlays. Gorgeous craftsmanship. A true work of art. Would be a g...

An antique handmade Chinese money box with metal hardware from the 19th century. This rectangular box is made of two-tone wood. The front displays a ...

small mother-of-pearl box

Antique South Indian Malabar Dowry Jewelry Box, 19th Century Teak with Brass – Kerala, India A rare and collectible South Indian dowry box from Kerala...

An Indian antique box from the 19th century with metal sheathing and bracketed base. Created in India during the 19th century, this antique box features a linear silhouette made of m...

exquisite middle Eastern Moorish Syrian inlay jewelry box. This box is intricately inlaid with Moorish motif designs which have been uniquely inlaid with bone, mother of pearl and f...

Exquisitely crafted early 20th century Anglo Indian micro mosaic Sadeli box with gorgeous antique Persian geometric pattern. The finely detailed box featu...

This is a Moorish-style jewelry box adorned with inlaid marquetry work, featuring a mosaic of geometric and floral patterns. The design is highly detailed, with small pieces of wood,...

A stunning vintage Moorish arabesque inlaid table box, 20th century, high quality rectangular box with hinged lid, featuring contrasting mother of pearl, exotic hardwood, and bone marquetry inlay arranged in geometric patterns, opening to red fabric lined interior. Dimensions: (approx) 3" High, 16.75" Wide, 6 1/8" Deep; 3.2lbs As warm and attractive as it is functional, having the ideal large size and proportions for a variety of different uses, including concealing a remote control on your coffee table or sofa table, or as a jewelry casket, trinket case...

This late 19th century English trinket box has an elegant design of lacquered papier-mâché with mother-of-pearl inlay. The inlaid decoration depicts a spray of various flowers which ...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

19th century English Tunbridge ware jewelry box with exquisite inlay of various woods, ebony, rosewood, fruit wood, walnut, mahogany. With intricate geometric pattern inlay throughou...