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18th Century Japanese Floral Paintings, Set of 5, Mineral Pigments on Gold Leaf

Price:$3,800

Antique 18th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

18th Century Japanese Two-Panel Screen Collection of Fans on Gold

$42,000

H 68.5 in W 72 in D 0.75 in

Pair of Antique Japanese Paintings of Karashishi, Edo Period, 18th Century

Located in Prahran, Victoria

A rare pair of antique Japanese Karashishi paintings in a landscape of rocks and peony flowers on gold leaf ground in fine handmade frames, Edo period, early 18th century. The Karash...

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Antique Early 18th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Pair of Antique Japanese Paintings of Karashishi, Edo Period, 18th Century

$50,000 / set

H 77.96 in W 48.04 in D 3.15 in

Pair of Antique Japanese Flower Paintings by Yanagisawa Kien, circa 18th Century

By Yanagisawa Kien

Located in Prahran, Victoria

Pair of antique Japanese Nagasaki School paintings by Yanagisawa Kien (1704-1758), depicting classical ikebana flower arrangements. Each painted on silk in mineral pigments and beari...

Category

Antique Mid-18th Century Japanese Edo Paintings and Screens

Materials

Silk

Pair of Antique Japanese Flower Paintings by Yanagisawa Kien, circa 18th Century

$7,500 / set

H 28.75 in W 42.13 in D 1.58 in

Japanese Folding Screen Six Panels Painted on Gold Leaf

By Japanese Studio

Located in Brescia, IT

Paravento a sei pannelli di scuola giapponese Kano: paesaggio con bellissime ed eleganti gru vicino al fiume, con alberi di pino e sakura. Dipinto a mano con pigmenti minerali ed inc...

Category

Antique Early 19th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Japanese Folding Screen Six Panels Painted on Gold Leaf

$26,427

H 66.74 in W 148.04 in D 0.79 in

Set of 6 Large Kakemonos Japanese Mythology, 19th Century Japan circa 1800 Edo

Located in Beuzevillette, FR

Beautiful set of 6 large kakemonos from 19th century Japanese mythology. Paper support with a canvas pasted on the paper Wonderful set that is part of Japan's history and beliefs When not hung, the Kakemonos are rolled up. circa 1800 - Japan - Edo Period A kakemono translates as "object to hang". In Japan this refers to a painting or calligraphy, most often done on silk or paper framed in a scroll that was intended to be hung on walls or in public lighting. This particular form, which allows them to be in a roll, dates back to the Tang dynasty in China (this would be related to the copying and preservation of ancient Buddhist texts). A Kami is a deity or spirit worshipped in the Shinto religion. A Yokai is a spirit, ghost, demon, or strange apparition from the creatures of Japanese folklore. Each of these kakemonos represents a unique story: - A kami, a Japanese deity, is shown painting a rainbow. Indeed, he performs the action with his right hand while his left hand holds a kind of basket with three pots of paint. This kami has a rather closed attitude. He is standing in a dark and tormented sky. Below this figure, 8 villagers are dressed in traditional Japanese clothes. Their faces are softened. They are not afraid of the elements made by the kami above their heads. - A character with an unreal look is holding a kind of jar with his two hands, which he spills on human figures above. This being is floating in the air, probably a character from mythology, perhaps Susanoo. Underneath, villagers on umbrellas. They are trying to protect themselves as best they can from what is falling on them. One of them is carrying baskets with fish on her shoulders. A character in the background is thrown forward and falls. - On this kakemono, the god Raijin, dressed in a white and blue outfit, strikes the sky with his two drum hammers to create lightning and its thunderous sound. Surrounded by Tomoe and a long red scarf, Raijin, enraged and with dishevelled hair, creates a dark and violent storm. The villagers seem frightened by this meteorological phenomenon. One of the villagers can be seen fainting in the arms of a man. This scene may seem chaotic, but Japanese legend tells us that once a field is struck by lightning, the harvest is good. - On this kakemono, we see an unreal-looking figure holding a fan, as if he were sweeping away the bad weather, or simply producing gusts of wind. He is probably the kami of wind and air, Shina tsu-hiko. The figures below him seem surprised by so much wind. An umbrella flies away on the left, the women hold their hair and scarf, the clothes are caught in the power of the wind, there is even a woman on the ground on the bottom left. - This Kakemono represents a short moment. This Raiju is a yokai (ghost spirit...

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Antique 19th Century Japanese Edo Paintings

Materials

Paper

Set of 6 Large Kakemonos Japanese Mythology, 19th Century Japan circa 1800 Edo

$2,594 Sale Price / set

20% Off

H 63.78 in W 20.48 in D 0.04 in

18th Century Tibetan Thangka Painting

Located in Chicago, IL

A rare striking 18th century Tibetan Thangka depicting the Green Tara seated on a lotus throne ready to step down to offer comfort and pro...

Category

Antique 18th Century Tibetan Tibetan Paintings and Screens

Materials

Linen, Paint

18th Century Tibetan Thangka Painting

$25,000

H 33 in W 25 in D 0.75 in

Japanese Two Panel Screen: Family of Chickens on Gold Leaf

Located in Hudson, NY

Mineral pigments on gold. Not signed, by Baikei Hitsu.

Category

Antique 1880s Japanese Paintings and Screens

Materials

Gold Leaf

Japanese Two Panel Screen: Family of Chickens on Gold Leaf

$10,925

H 46.5 in W 39.25 in D 0.75 in

18°th Century Japanese Gold Leaf Screen

By Japanese Studio

Located in Brescia, IT

Four-panel folding screen depicting the famous legend of Hikaru Genji, a nobleman of extraordinary grace and beauty, and his gallant adventures at court. The novel Genji Monogatari, ...

Category

Antique 18th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

18°th Century Japanese Gold Leaf Screen

$10,330

H 49.02 in W 75.6 in D 0.79 in

Japanese Two-Panel Screen Ink Painting of Palm Trees on Paper

Located in Hudson, NY

Japanese two-panel screen: ink painting of Palm Trees on paper, Edo period (1787) beautiful painting of Japanese windmill palm trees. Ink paint...

Category

Antique 18th Century Japanese Edo Paintings and Screens

Materials

Silk, Wood, Paper

Japanese Two-Panel Screen Ink Painting of Palm Trees on Paper

$28,000

H 71 in W 74 in D 0.75 in

Set of Four Japanese Reverse Paintings

Located in Locust Valley, NY

Set of four Japanese reverse paintings.

Category

Early 20th Century Japanese Paintings and Screens

Materials

Glass

Set of Four Japanese Reverse Paintings

$1,150 / set

H 51 in W 24 in D 2.5 in

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Late 18th Century Japanese Framed Painting, God of Thunder by Yamaguchi Soken

Located in Kyoto, JP

Raijin - God of Thunder Yamaguchi Soken (1759-1818) Mid to Late Edo period, circa 1800. Framed painting. Ink and light color on paper. This humorous painting depicts the Thunder God, Raijin, tumbling from the sky, presumably being struck down by one of his own lighting bolts. He clings to one drumstick as the other is in free-fall along with his Taiko drums...

Category

Antique Late 18th Century Asian Edo Paintings and Screens

Materials

Paper

Late 18th Century Japanese Framed Painting, God of Thunder by Yamaguchi Soken

$8,500

19th Century Japanese Screen for Tea-Ceremony, Ink Bamboo and Plum on Gold Leaf

Located in Kyoto, JP

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

Category

Antique Mid-19th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

19th Century Japanese Screen for Tea-Ceremony, Ink Bamboo and Plum on Gold Leaf

$9,200

Mid-18th Century Japanese Screen Pair, One Hundred Flowers, Chrysanthemums

Located in Kyoto, JP

Omori Soun (b. 1704) Chrysanthemums - One Hundred Flowers A Pair of Six-fold Japanese Screens. Ink, color, gofun and gold leaf on paper. Dating ...

Category

Antique Mid-18th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Mid-18th Century Japanese Screen Pair, One Hundred Flowers, Chrysanthemums

$48,000 / set

Japanese Painting, 17th Century, Tale of Genji, Tosa School

Located in Kyoto, JP

Illustration to an unidentified chapter of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) Ink, pigment, gofun and...

Category

Antique Late 17th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Japanese Painting, 17th Century, Tale of Genji, Tosa School

$3,200

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19th Century Japanese Scroll Painting, Birds Flowers of the Four Seasons

Located in Kyoto, JP

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

Category

Antique 1830s Japanese Edo Paintings and Screens

Materials

Silk

19th Century Japanese Scroll Painting, Birds Flowers of the Four Seasons

$10,800

Japanese Painting, Hanging Scroll, 19th Century Bamboo in Moonlight

Located in Kyoto, JP

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

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