19th Century Japanese Silk Painting by Kano Chikanobu, Cherry Blossom Birds

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

Late 17th century Kano school peony landscape screens. Both screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) (1660 - 1728...

Fine Japanese brush painting of cherry blossom festival, ink and color on silk, 19th century, museum conservation framed. Conservation framed i...

Fantastic 19th century Japanese Edo/Tokugawa period two-panel byobu screen featuring Chinese children frolicking on a garden terrace with a pavilion and large pine tree. Made in the ...

Beautiful set of 6 large kakemonos from 19th century Japanese mythology. Paper support with a canvas pasted on the paper Wonderful set that is part of Japan's history and beliefs When not hung, the Kakemonos are rolled up. circa 1800 - Japan - Edo Period A kakemono translates as "object to hang". In Japan this refers to a painting or calligraphy, most often done on silk or paper framed in a scroll that was intended to be hung on walls or in public lighting. This particular form, which allows them to be in a roll, dates back to the Tang dynasty in China (this would be related to the copying and preservation of ancient Buddhist texts). A Kami is a deity or spirit worshipped in the Shinto religion. A Yokai is a spirit, ghost, demon, or strange apparition from the creatures of Japanese folklore. Each of these kakemonos represents a unique story: - A kami, a Japanese deity, is shown painting a rainbow. Indeed, he performs the action with his right hand while his left hand holds a kind of basket with three pots of paint. This kami has a rather closed attitude. He is standing in a dark and tormented sky. Below this figure, 8 villagers are dressed in traditional Japanese clothes. Their faces are softened. They are not afraid of the elements made by the kami above their heads. - A character with an unreal look is holding a kind of jar with his two hands, which he spills on human figures above. This being is floating in the air, probably a character from mythology, perhaps Susanoo. Underneath, villagers on umbrellas. They are trying to protect themselves as best they can from what is falling on them. One of them is carrying baskets with fish on her shoulders. A character in the background is thrown forward and falls. - On this kakemono, the god Raijin, dressed in a white and blue outfit, strikes the sky with his two drum hammers to create lightning and its thunderous sound. Surrounded by Tomoe and a long red scarf, Raijin, enraged and with dishevelled hair, creates a dark and violent storm. The villagers seem frightened by this meteorological phenomenon. One of the villagers can be seen fainting in the arms of a man. This scene may seem chaotic, but Japanese legend tells us that once a field is struck by lightning, the harvest is good. - On this kakemono, we see an unreal-looking figure holding a fan, as if he were sweeping away the bad weather, or simply producing gusts of wind. He is probably the kami of wind and air, Shina tsu-hiko. The figures below him seem surprised by so much wind. An umbrella flies away on the left, the women hold their hair and scarf, the clothes are caught in the power of the wind, there is even a woman on the ground on the bottom left. - This Kakemono represents a short moment. This Raiju is a yokai (ghost spirit...

A Japanese hanging scroll or Kakejiku, circa 1890, depicting bamboo grass and a rabbit, framed by top and bottom ribbons of brocade silk. In ...

A delightful Japanese six panel painted paper screen featuring the beloved figure Hotei, Edo Period, early 19th century. Hotei, called Budai in China, and known as the Laughing Buddha or Fat Buddha in the West, is considered to be an emanation of Maitreya, the Buddha of the Future. In Japan, he also holds a special place as one of the Seven Lucky Gods, being the god of fortune, and protector of children. He is always portrayed as a mirthful and corpulent man, dressed in loose robes that show off his round belly. He carries a sack with him, said to be filled with treasure. As the protector of children, he is often portrayed with them playing on or around him, as he is here. The children portrayed in this screen are dressed in Chinese style clothing...

Dramatic and beautifully executed cherry blossoms trickle down the two panels with natural willows calmly coexisting with luminous gold dust fading to the ground. Mineral pigments an...

Japanese Two-Panel Screen Kanō school, depicting a scene from the Tale of Genji , with various noble ladies and gentlemen in a landscape of cherry Blossoms - ink, colors and gold ...

A large and incredible Japanese painting of a Buddhist temple hall with Amida Nyorai, late Edo or early Meiji period, mid-19th century, Japan. Mounted wit...