contemporary black lacquer chair

Beige ground lacquer with black and grey lacquer penguins with small pieces of shell making up white areas. Lacquer on wood. Writing reads: Lacquer Screen By Izumi Atsuhiko. It was ...

Beautiful fine detail of a variety of wild grasses. Lacquer on wood panel with carved surface and metal rim. Exhibited at National Nitten Exhibition 1969.

Very beautiful rare and large lacquer of Chinese inspiration. Representation of a green space with many plants such as cherry trees and magnolia. A bird crosses the lacquer with its ...

Lacquer and aluminum on wood. Exhibited at Northern Japan Art Exhibition. Signature reads: Yuki.

A contemporary ink painting on paper by Chinese artist Li Jin (1958-) presented in a white shadowbox frame. Entitled in English "Morning Practice in California", this series of work was painted in 2017 when the artist resided in US. The Chinese title inscription is "Blossom Branch" with artist's name signed in both Chinese and English. The painting is considered "Expressionistic-abstract". Using only various shades of ink, the poetic work depicts a large lotus flower with the pistil in the center composed of clusters of mediating arhats, the beings who have gained nirvana through Buddhism practice (known as Luohans in Chinese). There is a strong association of lotus flower and purity in Buddhism. The wisdom one can possibly achieve may be considered omnipresent and morphogenetical quantum and be part of everything around us. The image size is 13.5" x 13.5". Provenance: Purchased in 2017 from the Ink Studio at West Bund Art and Design Fair, Shanghai, China. Li Jin (1958-, Tianjin, China) is an ink master who draws from the tradition of Chinese literati ink painting and creates contemporary works celebrating all aspects of everyday life. Having explored color washes for two decades, Li Jin has translated them into a masterful control of tonality-the "five colors of ink"-in a series of monochrome paintings in the expressionistic-abstract "Da Xie Yi" manner. Through the ink medium's inherent sensitivity and ambiguity, they evoke the nuances of human existence and raise profound questions about self-representation and subjectivity. Trained at Tianjin Academy of Fine Arts (graduated in 1983) and has been a leading figure in contemporary Chinese ink art...

These Indian miniature paintings showcases an elegantly dressed Indian man and a lady, the lady elegantly dressed in a traditional sari and adorned with int...

Unpei Kameyama (1821-1899) A view of black (American) ships in the bay of Uraga Senminato, Miura district, June 1853 The Japanese text reads: ‘The seventy-six old men for the Kitamura-clan, drawn in 1897 on request of Yoshisada Kitamura, Himeji, the black ships which so much changed the fate of Japan, enjoy please this masterpiece by Harima Shonin Bisei who brings back memories of his young days.’ Watercolour on paper, laid down on cardboard, H. 44.5 x W. 115.5 cm Provenance: Collection of Yoshisada Kitamura, Himeji Yoshisada Kitamura (1838-1899), the son of a farmer in the village of Ogawa, in the district of Harimakashikihigashi, studied under Matajiro Otaka and got heavily involved in the anti-Shogunate movement. He was active in several military incidents against the Shogunate. After the Meiji restoration, he served the Meiji government as a local official in the Himeji domain. Kameyama Unpei was a Confucian scholar, a Shinto priest...

Craig Pursley. Autry's Home, American, born 1954. Oil on canvas. Dimensions 28.5 x 36 cm Original art work(s).

Tanaka Tessen (b.1890) Dahlias and Roosters Taisho period, circa 1920 Framed painting. Mineral pigments and ink on silk. Dimensions (framed): H. 159 cm x W. 97 cm x D. 2.5 cm (62.5” x 38” x 1”) An ornate and complex composition in which the artist explores almost the entire painting surface. The coloration is bold and evocative and the tinted silk ground recreates the warm golden glow of sunset. Soft, luminous brushwork details the black feathers of the roosters, which seem to cloud and blur in counterpoint to the sharper points of the eyes and beaks. Their brilliant red combs balance the composition, echoing the rich burgundy hues of the dahlias; the flowers exquisite and lifelike. Dahlias were an exotic subject favored by painters of the Taisho era. The painting belongs to the school of Kyoto Nihonga, exemplifying the principles of decorative elegance and consumate brush technique with which it was intimately associated. Painters of the time relied on the Shijo school method, basing the forms of the composition from life sketches. Sometimes they were then integrated with elements derived from Chinese bird and flower...

A beautiful, hand-painted oil on canvas depicting river scene in Spring. The background is a gorgeous blush color, with the mountain rocks in rust oran...