Early 20th Century Japanese Inspired Screen Black Silk With Gold Embroidery

Anonymous Bamboo Forest Early Taisho era. Circa 1910-1915. Six-panel Japanese Screen. Mineral pigment, gofun and ink on silk. A six-panel Japanese folding screen, painted on silk in...

20th c., Showa period gouache and gold leaf Japanese screen. Depicting plum tree blossoms on a riverbank across 6 panels. Plum blossoms are often mentioned in Japanese poetry as a symbol of spring...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...

A super nice Japanese Chamber screen. Also suitable for wall mounting. Good condition and lovely colors

Japanese two-panel screen, study of an Okinawan mother and child, Taisho period early 20th century, dating from the 1920's. Signed by Matsumura Baiso, (1884-1935). Baiso was a studen...

Anonymous Flowers of the Four Seasons A four-panel Japanese screen. Ink, gofun and pigments on gold leaf. This Japanese screen is a rich visual celebration of the flowers of the fo...

Ishizaki Koyo (1884-1947) Wagtail & Chrysanthemum Early 20th century Folding screen in two-panels. Ink, pigments and gofun on gold leaf. Sign: Koyo Seal: Koyo This ...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

A highly decorative early 20th Century Chinese folding screen / divider consisting of seven panels, with each panel incorporating five individual panels, depicting various countrysid...

WOMAN WITH BABY A hand-drawn shunga (erotic art) on highly transparent silk. Early 20th century, Japan. Dimensions: 75.7 × 30 cm (29.8 × 11.8 in). Shows natural signs of aging and o...