Japanese Six Panel Screen: Pheasants In an Autumn Landscape

The 19th Century Six-Panel Japanese folding screen "Byōbu" usually used in the most important Japanese house to stop wind and also to separate different space of the same big room de...

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

Large Japanese Meiji period six-panel screen depicting a winter landscape with a Chinese sage visiting friends in a country villa. Ink and vivid color pigments on mulberry paper mounted to a gilt background. Painted in the 19th century Kano school...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

Paravento a sei pannelli di scuola giapponese Kano: paesaggio con bellissime ed eleganti gru vicino al fiume, con alberi di pino e sakura. Dipinto a mano con pigmenti minerali ed inc...

19th century Japanese Edo period six-panel screen painted in Haboku (splashed ink) style. Depicts Four Seasons landscape scenes with two portraits of Chinese sages. One sage is trave...

Remarkable pair of early 19th century Japanese late Edo period screens depicting summer chrysanthemums growing along a brushwood fence. Ink and...

Fantastic pair of 19th century Japanese late Edo/early Meiji period six-panel screens titled The seven sages of the bamboo grove. The Kano school screens...

A delightful Japanese six panel painted paper screen featuring the beloved figure Hotei, Edo Period, early 19th century. Hotei, called Budai in China, and known as the Laughing Buddha or Fat Buddha in the West, is considered to be an emanation of Maitreya, the Buddha of the Future. In Japan, he also holds a special place as one of the Seven Lucky Gods, being the god of fortune, and protector of children. He is always portrayed as a mirthful and corpulent man, dressed in loose robes that show off his round belly. He carries a sack with him, said to be filled with treasure. As the protector of children, he is often portrayed with them playing on or around him, as he is here. The children portrayed in this screen are dressed in Chinese style clothing...

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...