Japanese Two Panel Screen, Zen Calligraphy Character Cloud

Painting of a perforated garden stone with red bamboo growing behind. Chinese zekku poem reads, "Returning home to my grass hut on a spring evening," by the Tang-poet Qian Qi. Screen...

Calligraphy reads: Mu (Nothing). Ink on silver in a black lacquered wooden trim. Seal is illegible.

Poems refer to moon gazers. Ink on mulberry paper with a silk brocade border. Seals read: Roku-roku sai.

Calligraphy reads: Raku (Pleasure). Ink on silver in a black lacquered wooden trim. Seal is illegible.

Unfolded size: 3680 x 1700 x 20 mm Foldable: 625 x 1700 x 110 mm, 15kg Estimated size after packaging (sandwiched between 5-10 mm plywood): 17 cm x 69 cm x 180 cm Weight　27 KG This ...

Rare 18th-Century Lacquer Screen / Room Divider, Qing Dynasty A rare lacquer screen from the 18th century, crafted in wood. The screen features a sturdy frame with openwork panels at...

Pair of 19th century Japanese scrolls in frames with lotus, white heron circle of Kano Naonobu (Japan, 1607-1660) and duck beside a pond.

Kano Osanobu (狩野養信) Osanobu Kano (born August 18, 1796; died June 12, 1846) was the ninth painter of the Kobikicho Kano School in the Edo period. His common name was Shozaburo. His father was Naganobu KANO, and Tadanobu KANO was his son. His Go (pen name) was Osanobu Seisenin, Kaishinsai, and Gyokusen. Brief Personal History He was born the eldest son of Naganobu ISENIN during the Edo period. He was first sent to serve at Edo Castle at the age of 15, and it appears that he was apparently pushed by his father to perform various public tasks for the Kanon School. He kept a diary for 36 years, starting from the day before he first went into service at Edo Castle until the day before he died. The diary is entitles "Official Service Diary" (it consists of 52 volumes that are maintained at the Tokyo National Museum, and 4 volumes that are separately maintained at the different families), and have become the focus of a lot of attention in recent years for the detailed information they present on the daily life and work of a prestigious official painter. The reading of the characters of his name was originally "Takenobu"; however, with the birth of the first son of the Shongun Ieyoshi TOKUGAWA in 1813, whose name was Takechiyo, having a sylable with the same pronunciation of "Take"was deemed to be inappropriate, and was therefore changed to "Osanobu". Because Takenobu died the following year, after which he was referred to as Gyokujuin, Osanobu changed his pen name Gyokusen he had used until that point to Seisenin, in order to avoid using the same Chinese charcter pronounced alike. In 1819, he attained the second highest rank for a Buddhist priest, Hogen, and assumed the role of head of the family after his father passed away in 1828. In 1834 he attained the highest rank for a Buddhist priest, Hoin. He oversaw the rennovation of the wall paintings of Nishinomaru Palace of Edo Castle from 1838 to 1839, and Honmaru Palace of it from 1844 to 1846. It is thought that Osanobu later died due to the fatigue...