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Utagawa Hiroshige 歌川廣重 Woodblock Print, Koume Embankment
$975
£741.83
€854.74
CA$1,384.19
A$1,484.99
CHF 796.52
MX$17,879.12
NOK 10,041.07
SEK 9,156.06
DKK 6,386.06
About the Item
Utagawa Hiroshige (1797–1858)
One Hundred Famous Views of Edo - Koume Embankment
mounted on a cardboard
Artist:
Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock printing tradition, having created 8,000 prints of everyday life and landscapes in Edo-period Japan with a splendid, saturated ambiance. Orphaned at 12, Hiroshige began painting shortly thereafter under the tutelage of Toyohiro of the Utagawa school. His early work of narrow, vertical landscapes picturing thatched houses nestled between cliffs and vignettes of birds perched on flowering branches shows the influence of Chinese scroll painting as well as the previously dominant Kano school of Japanese painting.
Much of Hiroshige’s work focuses on landscape. Partly inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), completed after traveling that coastal route linking Edo and Kyoto. Mountains grow green and bands of salmon-colored sunrise hang in the mist in prints like Maisaka—No. 31, where traders and farmers mundanely pass by in the foreground.
Hiroshige’s prolific output was somewhat due to his being paid very little per series. Still, this did not deter him, as he receded to Buddhist monkhood in 1856 to complete his brilliant and lasting One Hundred Famous Views of Edo (1856–58). He died in 1858, 10 years before Monet, Van Gogh, Whistler, and a host of Impressionist painters became eager collectors of Japanese art. And so Hiroshige’s surging bokashi, or varied gradient printing, lives on—visibly influencing artists like Paul Gauguin (see the Art Institute’s Mahana no atua, 1894) and Frank Lloyd Wright.
Dimension: Image 8 1/4" x 13 1/2" : with Frame 12.5 in x 17 in.
- Dimensions:Height: 14.5 in (36.83 cm)Width: 9.25 in (23.5 cm)Depth: 0.15 in (3.81 mm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1800s
- Condition:Wear consistent with age and use.
- Seller Location:Norton, MA
- Reference Number:1stDibs: LU5848234835572
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Utagawa Hiroshige 歌川廣重 Woodblock from"The 53 Stations of the Tokaido" 1832
Artist:
Hiroshige Utagawa was born in Edo as Tokutaro Ando and grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano School of Painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa's studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832.
In Hiroshige's groundbreaking series of woodblock prints, The 53 Stations of the Tokaido (1832-1833), he captured the journey along the Tokaido road, the highway connecting Edo to Kyoto, the imperial capital. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic.
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