Danish Scholar s Objects

A rare and beautifully illuminated Quran manuscript from the Timurid period, dating back to the 15th century. The manuscript features intricate floral motifs, vibrant colours, and el...

A small and elegant Chinese cloisonné vase for incense tools, Qing Dynasty, 18th/19th century, China. Made for the scholar's studio, this small refined vase, was used to hold incense tools, including a small pair of tongs or chopsticks and spoon. The tools no longer present. Of miniature baluster vase form, the vase beautify proportioned and decorated in the cloisonné enamel technique, with gilt wires forming the cloisons, or partitions. Within the cloisons, colorful enamels have been expertly laid. The small incense tool vase...

This mid 20c, 5/6/7 period carved rose quartz snuff bottle is a delicate and exquisite artifact, reflecting the refined aesthetic and skilled ...

Entitled Toujingasa (Chinese Hat). this delicate hand-woven ikebana basket was made by Japanese Bamboo artist Jin Morigami (1955-) circa 2005. Constructed...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of pheasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...

This exquisite 19th-century Qing Dynasty celadon jade miniature vase is a masterwork of Chinese craftsmanship. The vase features intricately carved beast handles, each adorned with free-moving rings, adding a layer of complexity and artistry to the piece. The body of the vase is embellished with archaic carvings, a nod to China's rich artistic heritage. The vase culminates in a trumpeting mouth, elegantly flaring outward, and is raised on a meticulously carved footring. The jade itself is of a celadon hue, highly prized for its subtle, translucent quality. The vase is presented on a matching hardwood stand, enhancing its visual appeal. This piece is not just a vase, but a testament to the high level of artistry and skill that defines Qing Dynasty jade...

An extremely finely carved antique Chinese Qing dynasty, Celadon green triple vase/brush washer with an Imperial Dragon from behind attacking a bird in fro...

An elegant Korean serving tray / personal dining table, carved and joined zelkova (keyaki) wood, Joseon Dynasty, mid 19th century, Korea. The elegant and sturdy tray table, known as...

Vintage hand-carved soapstone seal - mythical beast to the top - original presentation/padded fabric covered box - signed - China - mid 20th century. E...

A finely carved zitan wood display stand in the form of a round table, China, Republic Period, mid 20th century. The circular display stand carved from rare and precious zitan wood. Fashioned as a classical Chinese round table...

A stunning carved and pierced Chinese jade vase, Qing Dynasty, 19th century. The vase is carved with a design of birds, flowers and trees, each rife ...

A Chinese Carved Inkstone, 18th Century Provenance: Private Australian Collection Acquired in 1980s. Dimensions: Height: 12.5cm. Width: 28.5cm. Depth: 17.5cm.