Scandinavian Scholar s Objects

Bamboo and wooden slips - jiandú- were the main media for writing documents in China before the widespread introduction of paper during the first two centuries AD. This substantial group, 59 pieces, of one-of-a-kind slips with painted and applied hand calligraphy appeals to book lovers and antiquity sleuths We believe them to be circa 1900 Qing dynasty and are offering this group from a collection of old works of art. Dimensions: bamboo slips...

A rare and beautifully illuminated Quran manuscript from the Timurid period, dating back to the 15th century. The manuscript features intricate floral motifs, vibrant colours, and el...

An exquisitely hand carved bone Chinese dignitary standing figure portraying a lavishly dressed bearded male. Difficult to date, in our opinion last quarter of the 19th century. ...

A small and elegant Chinese cloisonné vase for incense tools, Qing Dynasty, 18th/19th century, China. Made for the scholar's studio, this small refined vase, was used to hold incense tools, including a small pair of tongs or chopsticks and spoon. The tools no longer present. Of miniature baluster vase form, the vase beautify proportioned and decorated in the cloisonné enamel technique, with gilt wires forming the cloisons, or partitions. Within the cloisons, colorful enamels have been expertly laid. The small incense tool vase...

Rare find!: 24 feet long Zen monk Mala Prayer Bead String plus original wooden alms bowl with its original attached triangular shaped stone ojime. A huge...

This is a grouping of three (3) authentic Chinese old jade bi disc from the 20th century. These come from our private collection. Including Our Certificate of Authenticity Dimensi...

This mid 20c, 5/6/7 period carved rose quartz snuff bottle is a delicate and exquisite artifact, reflecting the refined aesthetic and skilled ...

Horagai conch shell trumpet with beautiful patination and bronze mouthpiece. This Horagai conch shell trumpet is a rare and valuable piece of Japanese history and culture. It was made in the Late Edo period (18th-19th century) and is in fine original condition with expected abrasions due to the significant age of the item. The trumpet is made of a conch shell with a bronze mouthpiece. It measures 34x 16.5 x 13 cm (13.5 / 6.5 / 5 inch) and weighs 1.2kg (2.5 lb). The trumpet has a beautiful patina, resulting from years of use and exposure to the elements. The bronze mouthpiece is also in good condition and shows no signs of wear. The trumpet is powerful and can produce a loud, clear sound. It was traditionally used in Japanese ceremonies and festivals and is still used today by some Shinto priests...

Entitled Toujingasa (Chinese Hat). this delicate hand-woven ikebana basket was made by Japanese Bamboo artist Jin Morigami (1955-) circa 2005. Constructed...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of pheasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...

An extremely finely carved antique Chinese Qing dynasty, Celadon green triple vase/brush washer with an Imperial Dragon from behind attacking a bird in fro...

Vintage hand-carved soapstone seal - mythical beast to the top - original presentation/padded fabric covered box - signed - China - mid 20th century. E...