19th Century Chinese Zitan Brush Pot

A Small Late 19th Century Chinese Carved Hardwood Brush Pot This stylishly restrained hexagonal shaped Chinese brush pot is made from dense red hardwood and the eight flat sides are delicately hand carved with a continuous mountain landscape included in which there is a bridge, trees, tall rock faces, a lake, and a temple amongst other details. The brush pot is simply finished around its base with a stepped flat moulding. These interesting pieces were intended to be used by Chinese scholars who would store their calligraphy and art brushes...

This charming Mid-19th Century fragment of wood, is a detail of an hand-carved wood column and it has its country of origin in the Oriental part of Indo-China. This is an elegant object that can be used as a paperweight or it can be a decorative object simply, to appreciate for its charming shape and for the beauty of the detailed engraving in the wood. It is only a little piece, but trought it, is possible to understand the beauty and quality of design of the building from which it is coming out. This beautiful piece can be useful as bookend also. The photos shown this antique wood fragment...

Vintage Buddhist 'nine peaches' hard stone carving - symbolizing immortality and long life - peaches are one of the three 'blessed fruits' in Buddhism...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...

A fantastic Chinese cast bronze censer in the form of two Buddhistic lions play fighting, late Qing Dynasty, late 19th century, China. The censer formed as a pair of Buddhistic li...

Nicely carved red/orange Chinese hardstone seal. Bloodstone or "chicken blood" soapstone hand carved village scene with figures and trees. Signed.

Carved from a striking piece of black-and-white grained hardwood, this late 19th-century Chinese brush pot exemplifies the ideals of the scholar’s studio—where nature, artistry, and ...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

The charming figure done completely in the lost wax method is in a primitive naive style. The male figure is dancing excitedly on a rocky outcrop. His costume of a loose-fitting coat with long flared sleeves flying in space as he dances reveals his large potbelly while his loose-fitting shift girdled at the waist with a large belt flips up to show his legs and bare feet as he dances. The figure is suspended on one leg as he moves and his face is animated and happy. The head is cast separately so that his wild hair and beard are free from the body castings...