Antique Wooden Burmese Nat, Popa Medaw from Burma

Timor Island sculpted wooden traditional mask (circa 1970s) on contemporary metal stand. This is a traditional mask of a figure with male facial features and two holes as eyes and another for the mouth with a handle below the face. The island of Timor gave rise to a distinctive practice of creating traditional masks whose precise origins and significance remain uncertain. Portraying both male and female ancestors, they were held by men during dances and other ceremonies, including celebrations of victory in war. Carved sculptures and masks are specific to rural villages. Here the practice of animism, or nature-worship, is incorporated with the carving of ancestral statues and masks, which have a ritualistic function. Some occasions that call for these ceremonies may include asking for successful crop planting, for prosperity, for good weather...

Double-sided carved wooden blawong board from Java, Indonesia (circa 1920s-1950s). Blawong boards were used to hold a pair of Keris daggers. They were fix...

Antique Asian Thai monumental, measuring 8’ x 8' hand-carved wooden temple panel. Definitely a one of a kind piece Thai red and gold panel with det...

Rare stupa sculpture, 400-600 years old, carved in sandstone. In original untouched, well-preserved condition. From Arakan in Burma. Typical stupa construction with square base, hemispherical dome and conical spire. At the base a portal door...

Made of Chinese northern elmwood, this smooth block of wood was once used as a rigid headrest or neck pillow. The soft curve and height of the block not only supported the head while...

A Burmese Mandalay style gilt lacquered wood standing figure of Buddha and together with an unusual Burmese red lacquer covered baluster offering vas...

A beautiful late 19th century paint bowl with a lid that was once used for storing the famous Tibetan barley flour (Tsampa). These bowls were used by the Buddhist mountain people of ...

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...

Vintage Wooden Coconut Grater in Animal Form, Thailand A utilitarian implement commonly used in an Asian household. To use it, the coconut is cut in h...

This Ching Dynasty carved polychrome seated Taoist altar god was once used on the family altar to honor their ancestors. Ancestor worship plays a major role in Chinese religion. This...