Chinese Ming Dynasty Wooden Sculpture of Arhat Luohan , 16th Century

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...

This imposing figure is the head of an Arhat, a Buddhist devotee who has attained enlightenment, also called a “Luohan.” The eighteen original Arhat are the personal disciples of Buddha and the guardians of Buddhist adherents. Each is represented with a unique disposition, posture, and distinctive symbol. This exquisitely formed monumental ceramic Arhat dates to the Ming dynasty (1368-1644) and has likely been separated from its original full body sculpture...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

This rare 16th century Chinese wooden Buddha statue is an exceptional example of Ming dynasty devotional sculpture, originating from China and distinguished by its historical authent...

Inspired by the Ming Dynasty, this elegant statue of Guanyin, Goddess of Compassion, was hand carved in the 20th century. The artist captures the timeless and spiritual aura of Guany...

A hand-carved stone pillar on a wood stand. Hunan, China, circa 1560. Not unlike the smaller Scholar's rocks, this stone pillar was placed in gardens as...

16th century Japanese sculpture of a Buddhist Tenbu, Late Momoyama period (1333-1598) sculpture dated "Bunroku 3", or 1594, in ink on the back. T...

Ming Dynasty stone foo dog from the revered Beijing Summer Palace, dating back to the end of the 17th century. This magnificent sculpture depicts a powerful lion, imbued with the myt...

This is a heavy patinated bronze sculpture of a Luohan. He is standing up in a gesture of reverence and/or prayer position with his eyes closed and dressed with a gilt robe. The bord...