Chinese Polychrome Stone Seated Buddha, c. 1900

A fun piece. Nicely hand painted and detailed. Made of light metal of some sort. Was acquired from a collection of Chinese and South-East Asian artifacts...

Diminutive Chinese bronze metal Buddha sculpture depicted sitting. Beautifully crafted in the Ming style with intricate details. The bronze has a rich pat...

A Chinese carved stone temple sculpture of a woman circa 1900s. This Chinese sculpture features a woman wearing an elaborate headdress and flowing robes and holding a bouquet of flow...

A large, finely carved Tang style stone statue of Buddha Amitabha. Depicted with a full-cheeked face below neatly gathered hair and ushnisha, with large eyes, downcast smile and full...

BASE: 44"W X 30"D X 31"H BUDDHA: 62"H X 36"L X 22"D Seated Mountain Burmese buddha from a monastery in Northern Burma finished with papier mâché, lacquer and gilt accents. This uni...

A fine vintage Chinese porcelain statue. In the form of a Luohan or Arhat with a famille verte robe and gilt body. The reverse ...

A beautiful hand carved stone statue of Buddha Amitabha. Seated in dhyanasana, Buddha wears a robe elegantly draped over his body and gathered around his ankles. Finely depicted face...

A large hand carved solid stone Buddha statue seated in dhyana position. The broad face with high arched eyebrows and downcast eyes casting a serene aura, framed by long-lobed ears and beneath a pronounced hairline and surmounted by an ushnisha. Buddha wears a long robe...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A very fine and attractive Chinese Qing Dynasty turquoise glazed figure of Guanyin dating from the 19th Century or possibly earlier. The hollow biscuit porcelain figurine...