Chinese Stone Shakyamuni Buddha Head

A 19th century antique stone Buddha, weighing 23 lbs, depicting a young Shakyamuni. His full, rounded face—typical of the Tang Dynasty style—bears downcast eyes beneath high-arched b...

A large, finely carved Tang style stone statue of Buddha Amitabha. Depicted with a full-cheeked face below neatly gathered hair and ushnisha, with large eyes, downcast smile and full...

An attractive and old Meiji Stone Buddha in a sutra of meditation - with a memorial inscription. Pretty face. Pretty sculpture. Good garden candidate In Japan, Kṣitigarbha, known...

A beautiful hand carved stone statue of Buddha Amitabha. Seated in dhyanasana, Buddha wears a robe elegantly draped over his body and gathered around his ankles. Finely depicted face...

A large hand carved solid stone Buddha statue seated in dhyana position. The broad face with high arched eyebrows and downcast eyes casting a serene aura, framed by long-lobed ears and beneath a pronounced hairline and surmounted by an ushnisha. Buddha wears a long robe...

A fine example of a hand carved solid wood Oriental Buddha head, in overall good condition, hand painted and the top ornament made of bronze. Mounted on decorative genuine coral...

Carved out of a single block of grayish brown stone (likely granite type), this Buddha head represents Northern Qi style in China (550-577AD) and likely of the period. The Northern Q...

An old early 20th century granite stone "Crowned" Buddha - Shyaka Nyorai Sakyamuni- sculpture with staff and "Hoju" the wish granting jewel in her left hand, the whole perched upon...

A very old Taisho period early 20th century granite stone Buddha - Shyaka Nyorai Sakyamuni- sculpture perched upon a square base. Signed front left with named patron: hidaka shig...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...