Early Chinese Stone Budha Hand Fragment

Marble statue of carved statue of the Buddhist goddess known as Guanyin, sitting in the lotus position. The peaceful and serene expression on her face conveys calm. She ie also know...

Most likely Ming 15th/16th Century, carved chicken bone jade figure of a standing Guanyin (Quanyin) holding a scroll in one hand, prayer beads in the other. Affixed to carved wood ba...

Unearth the ancient whispers of India’s sacred architecture with this Antique stone temple fragment, a 17th-century relic (or possibly older) that carries the spiritual essence and artistry of a bygone era. Carved from natural stone, this enigmatic fragment measures 27.9 cm high, 7.5 cm wide, and 23.2 cm deep, its weathered surfaces etched with traces of intricate motifs—perhaps floral patterns, divine figures, or celestial symbols—that once adorned a grand Hindu or Jain temple. Originating from India, where temple construction flourished under dynastic patronage, this piece reflects the mastery of stonemasons who transformed rugged stone into narratives of devotion, likely part of a pillar, frieze, or sanctum wall. Weighing 2.1 kgs, its compact yet evocative form bears the patina of centuries, with softened edges and mineral deposits that testify to exposure to the elements and ritual use. The fragment’s abstract geometry and symbolic carvings hint at its original context, whether depicting deities like Shiva, Vishnu, or Tirthankaras, or cosmic themes central to Indian spirituality. Created during a period of architectural splendor under empires like the Mughals or regional kingdoms, it bridges the tangible and the divine, offering a tactile link to India’s temple...

This statue appears to be a stone sculpture of an apsara, a celestial nymph from Buddhist and Hindu traditions. Despite its fragmentary state, the sculpture conveys grace and movement. The apsara is captured in a dynamic pose, perhaps once part of a larger tableau, playing a flute-like instrument. The facial features are serene yet expressive, with faint traces of pigmentation hinting at the sculpture's original polychromy. The black stand was made in Hong Kong at the time of the acquisition. Date : Northern Wei...