A Gilt-lacquered figure of Buddha Amida - early Edo period from Japan

An exquisite Japanese carved hinoki and gilt lacquered standing figure of Amida Nyorai, Amitabha Buddha, Edo Period, 18th century, Japan. The spectacular fully gold gilt figure of A...

This truly a magnificent piece. Stunning. Beautiful. Supremely serene. Meticulously hand carved in such fine and amazing detail (see hands and flowing robes). Gilded throughout. Sea...

An Amida Nyorai Sculpture In Gilt Carved Wood from the Edo Period. This is a superbly refined carved wooden figure of Amida Nyorai (Amitabha), the Buddha of Infinite Light, with fab...

A wonderful Japanese Buddhist portable traveling zushi shrine altar with Amida Buddha (Amitabha) concealed inside the folded wood doors. This work dat...

A Burmese Mandalay style gilt lacquered wood standing figure of Buddha and together with an unusual Burmese red lacquer covered baluster offering vas...

A truly beautiful and supremely serene Japanese Amida Nyorai Buddha. A magnificent work. Meticulously hand carved in such fine and amazing detail (see hands and flowing robes). Gilded throughout. Seated with narrowed eyes in deep meditation and hands in Buddhist Abhaya Mudra position offering a blessing of protection, reassurance, peace, and benevolence. This hand position, also known as the "fear not" gesture, was achieved by Buddha immediately following his enlightenment. This work is from the late Edo period, (1603-1868)/ early Meiji period (1868-1912). From a California collection. Would be a fantastic addition to any Japanese or Asian artifacts/buddha collection or eye-catching stand-alone accent work in about any setting. One of the best Japanese Buddha sculptures...

This a well-preserved lion mask that dates to the 18th century (possibly earlier). Lion masks were used in the traditional Gion Matsuri festival lion dances...

A Japanese Edo period "Noh" theater mask from the 17th to 19th century. Created in Japan during the Edo period (1603-1868), this mask captures our attention with its striking expression and contrasting colors. Noh, a form of theater involving music, dance and drama and originating in the 14th century, uses...

An exceptional and wood statue of Buddhism Guardian Seitaka Doji from Japan circa Edo period (1603-1868), likely the earlier part of 17th century. One of two chief attendants of Fudou Myouou (the other being Kongara Doji), the name of Seitaka Doji is a transliteration of Sanskrit "Cetaka", meaning servant, slave, and he is said to personify expedient action. He is most commonly found on the right side of Fudou, together with Kongara Doji on the left, forming the Immovable triad, Fudou Sanzon, the terror of evil doers. Seitaka largely adheres to the iconography of a wrathful youth with fleshy body and face, skin in the color of a red lotus, has his hair tied in five knots, and holds a vajra in his left hand and a vajra-club in his right hand, but the actual artistic representations of him in Japan do...

This wooden Buddhist statue was made in the late to late Edo period. It is thought to be a statue of Kannon Bodhisattva. It was originally placed in a shrine and was painted, but the...