Japanese 1920s Collection Imari Porcelain Four Animal Sculptures One of a Kind

A lovely Kutani porcelain model of a beautiful woman, bijin, or perhaps a geisha, Showa era, circa 1930's, Japan. A charming and delightful Japanese Kutani enameled porcelain figure of a bijin or geisha, early Showa Era, circa 1930's, Japan. The elegant figure of a beautiful woman, called a bijin, or perhaps a geisha, is portrayed dressed in full kimono and holding a closed folding fan in one hand. Her kimono of a rich and deep blue hue, with images of plump pomegranates in gilt. Her wide obi of a striking red color, and patterned with branches of pink blossoms. One foot, clad in a white tabi...

A charming and delightful Japanese Kutani enameled porcelain figure of a bijin or geisha, early Showa Era, circa 1930's, Japan. The elegant figure of a beautiful woman, called a bijin, portrayed dressed in full kimono and holding a fan in one hand. Her kimono of deep black with scattered cherry blossoms in white and outlined in gilding. Her wide obi of coral color, and patterned with stylized clouds of turquoise green and puce. One foot, clad in a white tabi...

This is a plate which was made in Japan in Taisho era (around 1920s). It was made with Imari yaki technnique. This imari plate is made by Gekkyuu, there is a signature on the plate...

Exquisite white glazed porcelain figure (okimono) of a sitting child holding a spray of chrysanthemum flowers with cobalt blue glazed leaves in its hand, by Sakaida Kakiemon XII (1878–1963). The milk white glaze is called nigoshide a type of technique which was not continued at the end of the Edo period, and is the famous rediscovery done by Sakaida Kakiemon XII in 1953. The bottom signed ‘Kakiemon’. Sakaida Kakiemon XII assumed the family title on the death of his father, Sakaida Kakiemon XI, in 1917. Earlier he had graduated from the Arita Apprentice School and then studied ceramics with his father. Initially he worked in the traditional Kakiemon style, echoing the work of his forbears in the 17th and 18th centuries. He began working with his own son in 1924, after the future Kakiemon XIII graduated from the Arita Industrial School. Together in 1953 they succeeded in recreating the classical Kakiemon technique for producing a nigoshide milky-white porcelain body. This technique was designated a national cultural treasure meriting preservation and protection by the Cultural Protection Committee in 1955. That same year he exhibited at the 2nd Japan Traditional Crafts Exhibition (Nihon Dento Kogei-ten) for the first time, winning a prize for his entry. In 1958, he exhibited at the World Exposition...

Japanese lady sculpture wood fired handmade ceramic pottery. Traditional Japanese young woman small sculpture. Unusual shape beautiful collectib...

A charming and delightful pair of Kutani glazed porcelain models, okimono, of Mandarin ducks, oshidori, Showa Era, circa 1930's, Japan. The two Mandarin ducks, called oshidori in ...

Antique Meiji period Imari charger measuring 22 inches across and in good condition.

A rare set of three hand painted Imari porcelain graduated sized bowls with the same hand painted scenes and decoration on each. The large is 12 inches in diameter, with the medium 1...

Hand painted porcelain Japanese Imari charger plate with birds, tree branches and floral motif.

18 Inch Japanese Imari Charger - very large and decorative. The mixed illustrative painted scenes are with great pattern and texture, and mixed with floral and organic images of blos...