Over Life-Size Tibetan Gilt Bronze Arm of a Bodhisattva, Late 19th Century

A heavy and solidly cast, richly gilt, bronze caryatid figure from Densatil Monastery, Central Tibet, early 15th century or earlier. Cast in the form of two four armed figures standing back to back in tribhanga (thrice bent position) on a lotus platform, this piece would originally have served as a pillar for a larger seated deity...

A large and impressive vintage gilt bronze figure of the tantric Buddha Vajrasattva, the Diamond Thunderbolt, mid 20th century, Nepal. Crafted of cast and richly gilt bronze, Vajrasattva sits in vajrasana, or full lotus position, his torso slightly bent at the waist. He holds an upright vajra scepter in one hand, raised at heart level. His other hand, resting on his hip, would originally have held a a ghanta, or bell, which is now missing. He is festooned in jewelry, including a five pointed crown, earrings, necklaces and armlets, all studded with coral and turquoise beads. His long hair falling in elegant tresses around his shoulders, the rest tied up in a high chignon topped by a vajra. Vajrasattva wears a dhoti covering his lower half. The dhoti intricately cast and carved with a scrolling vegetal design, and featuring images from the Ashtamangala, or Eight Auspicious Emblems, including the conch, endless knot, and double fish. Scarves billow out around his arms. The tantric Buddha sits upon a tall double lotus throne, the back with more intricately cast decorations of dragons and lotus blossoms against dense vegetal scrolls. The base sealed with a dented copper plate inscribed with a visvajra, or double vajra...

A beautiful and unusual gilt bronze figure of a Bodhisattva, possibly Amoghapasha, Nepal, early to mid-20th century, circa 1930s or 1940s. The regal figure possibly depicting the bodhisattva Amoghapasha, the Unfailing Lasso. The enlightened being is portrayed seated upon a high double lotus pedestal. He is dressed as an Indian prince, wearing a luxurious foliate patterned dhoti around his waist and a billowing scarf around his shoulders. . His torso bare save for the jeweled necklaces and the sacred thread. A five pointed crown with an image of Amitabha Buddha in the central point graces his head. His princely face cold painted with beautiful detail, his hair colored blue with crushed lapis lazuli, indicating his peaceful nature. Amoghapasha holds a lasso in one hand, an axe in the other. He is considered an emanation of Avalokiteshvara. A bodhisattva of compassion, Amoghapasha is so named because of the lasso he holds in his hand. The lasso represents his vast compassion which is thought to extend to encompass all beings, bringing them into a state of perfection and enlightenment. The copper base plate, seemingly a later replacement, has been inscribed with a visvajra (double vajra...

A darling and charming small Thai lacquered and gilt bronze figure of the Buddha Sheltered by a Naga, Buddha Muchalinda, Rattanakosin Period, circa 1900, Thailand. The small statute...

A wonderful and very special piece. This bronze buddha hand sculpture, perhaps a fragment of a larger piece at one time, originally came from the prestigious Doris Wiener Gallery ...

Two superb wood Buddha hands, reclaimed from old statues. Late 19th Century to early 20th Century. Polychromed in gilt and red pigment, and mounted on specially made-to-measure bla...

An antique bronze Buddha hand displaying the Vitarka Mudra, or the position of transferring knowledge, Thailand early 19th century, recently mounted on stand.

Impressive cast bronze Buddha hand on black steel base. Abhaya Mudra: Gesture of Reassurance, Blessing and Protection. Do not Fear. Would be wonderful displayed on a console or coff...