Tibetan Asian Art and Furniture

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

This low console table balances modern simplicity with a touch of the traditional. The lacquered table features a bronze-toned mirror top, a slatted floor shelf and waterfall sides i...

Tibetan possibly Nepalese bronze, 18th-19th century. Detailed Vajrasattva figure, a Bodhisattva. It is peacefully seated in dhyanasana (position/pose in Meditation) and resting on a ...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

A rare striking 18th century Tibetan Thangka depicting the Green Tara seated on a lotus throne ready to step down to offer comfort and pro...

Antique Tibetan Thangka painted with horse rider in Mountain View Outside brown fabric with dragons style pattern Overall size: 27' height. 23" width Image sizez: 13.3" height. 13...

Vintage Gilt Bronze Asian Sculpture of a Thai Deity Prince Playing Music 1950's. Gilt cast bronze sculpture of a religious Thai deity sitting with o...

In 19th-century Tibet, many men carried a fire striker to help ensure survival in the often-harsh climate of the Tibetan Plateau. Known as mechag, such strikers would hang from one's belt and often doubled as a small pouch for flint and tinder. The finest strikers were finished with precious metals and decorated with repoussé and inlaid stones. This leather flint pouch is decorated with silver and gold plated metalwork and three large beads of turquoise and red coral. The mechag hangs from a simple leather strap and three decorative leather beads hang below. The pouch contains two Tibetan prayer flags...

A powerful and impressive large and tall Tibetan orange red lacquer painted storage trunk featuring a Kirtimukha, Face of Glory, late 19th or early 20th century, Tibet. The large storage chest...

Thangkas are devotional paintings displayed by Buddhists in monasteries, temples, and even in their homes. The rich red, orange, green, and blue hues are still incredibly vibrant on ...

An arch shaped piece with high relief carving of a multi-armed deity standing on a winged feline and wielding several weapons. A small figure appears below right. The fierce female demon buffalo slayer carved in openwork with her principal two hands holding...

This antique traveler's chest from Tibet or Mongolia is one of the most unique trunks we've come across in our 20 years of collecting. Dated to the 19...

An antique Tibetan Thangka with polychrome pigments on cloth, circa mid to late 19th century. It depicts Yamantaka, also known as Vajrabhairava, who is a wrathful manifestation of Manjusri, the bodhisattva of wisdom, and in other contexts he also functions as a dharmapala, or 'Dharma-protector'. The buffalo head deity Vajrabhairava is one of the three principal meditation deities of the Gelug School. He is shown with nine faces in the Yab Yum...

On offer is an impressively large and finely cast Sino-Tibetan gilt antiquebronze statue of Vajrasattva Bodhisattva, circa 19th century maybe earlier. The deity is depicted seating i...

17th century rare Tibetan silver mounted brul covered bowl with coral bottom, the repousse and domed cover inset with Cora and lapis, big 3cm diameter red coral bottom, some tarnish,...

Fine antique ceremonial antique indian cast bronze Puja spoon with brown patina. Indian Asian bronze Hindu ritual bronze spoon puja Achamani India Asia. Antique ceremonial spoon used during Hindu worship for offering holy water to deities, from Maharashtra. This Utharini is exceptionally well made, lotus shaped receptacle, the Hanuman sculpture...

This 19th C. Japanese Buddhist bronze temple or monastery bell, features a stylized two-headed dragon loop handle at top, four studded panels at shoulde...

A good antique Early 19th Century Southeast Asian Bronze Buddha statue, Circa 1800. The Buddha seated upon a triangular shaped base with lotus decoration, the Buddha's hands posed i...

Antique Asian Bronze buddhist bell Tibetan Meditation Prayer Ghanta Bell. Buddhist Tibetan Meditation Prayer Bell. A Bronze ritual bell "DRILBU" in Tibetan or commonly known as "Ghan...

Tibetan hexagon Tonka scroll box. Hand made hexagon box covered in leather hand painted. Traditional Tibetan art work hand painted with raised outlining of Jambhala faces, Tibetan Je...

Prince Gautama Siddhartha was the son of Mayadevi and Suddhodana, king of the Sakya of Kapilavastu. At court, young Siddhartha led a joyful and carefree life, married Yasodhara and h...

19th century Burmese bronze temple bell with original carved hardwood stand, painted iron hanging bracket, and striker. This rare large scale cast bronze bell has a splendid sculptural and spiritual presence. The bell has a long inscription on the upper part. The offering of a bronze bell to a monastery or temple was considered second only to the offering of a Buddha image as an act of merit (kutho). Such bells were cast using the lost wax (cire perdue) method. Casting of such bells was auspicious with specific rituals being performed by the caster and sponsors to ensure the appropriate blessings. The bell here, as with all such Burmese bells...

A beautiful, vibrantly colored, intricately designed elongated Tibetan Thangka painting featuring a multi-armed female goddess or deity (likely Avalok...

Antique Brass Tibetan Tara Buddhist Goddess Statue In the Himalayan region, especially in Tibet and Nepal, Tara's status is more that of a supreme godd...

Small antique Southeast Asian cast bronze buddha head sculpture with verdigris patina mounted on a black base wood stand. Bronze Sukhothai style Buddha bronze head with green patina,...

This is a water ewer used in Tibetan ritual offerings to the "hungry ghosts". They have been reborn so, as a result of greed and avarice and are condemned to wander as spirits with b...

This unusually-shaped carpet is known as a "makden" and was originally used by a nomadic traveler as an artful covering for his horse. Placed between the saddle and the horse, the makden cushioned the rigid saddle and kept the horse warm in cold climates. Most under-saddle carpets...

"Bronze Statue Of Nepalese Tara (royal Relaxation Position), Late 19th Century" A finely cast bronze figure of Tara, seated in lalitasana (royal ease pose) atop a double-lotus base. ...

Historically in Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. This 19th-century Tibetan Thangka, painted in rich red, green, and blue pigments, still maintains incredible vibrancy. The central figure is the Sakyamuni Buddha, seated in the diamond position with alms bowl...

The kindest face and most assuring smile. A finely painted Thangka by one of our master artists in Nepal depicting White Tara surrounded by mantra and Eight Tibetan Treasures. Seated...

Vintage heavy Indian patinated copper bronze statue of Shiva Nataraja. An Indian metal alloy copper model of Shiva Nataraja. "The Hindu God Shiva performs his dance of Bliss" In the ...

A large and impressive vintage gilt bronze figure of the tantric Buddha Vajrasattva, the Diamond Thunderbolt, mid 20th century, Nepal. Crafted of cast and richly gilt bronze, Vajrasattva sits in vajrasana, or full lotus position, his torso slightly bent at the waist. He holds an upright vajra scepter in one hand, raised at heart level. His other hand, resting on his hip, would originally have held a a ghanta, or bell, which is now missing. He is festooned in jewelry, including a five pointed crown, earrings, necklaces and armlets, all studded with coral and turquoise beads. His long hair falling in elegant tresses around his shoulders, the rest tied up in a high chignon topped by a vajra. Vajrasattva wears a dhoti covering his lower half. The dhoti intricately cast and carved with a scrolling vegetal design, and featuring images from the Ashtamangala, or Eight Auspicious Emblems, including the conch, endless knot, and double fish. Scarves billow out around his arms. The tantric Buddha sits upon a tall double lotus throne, the back with more intricately cast decorations of dragons and lotus blossoms against dense vegetal scrolls. The base sealed with a dented copper plate inscribed with a visvajra, or double vajra...

Antique Southeast Asian cast bronze buddha head sculpture with verdigris patina mounted on a black base wood stand. Bronze Sukhothai style Buddha bronze head with green patina, from ...

The number 12 figures prominently in Tibetan astrology, making this simple chest’s dozen drawers the perfect canvas to honor the year of the dragon. Tibet...

Antique Southeast Asian cast bronze buddha head sculpture with verdigris patina mounted on a ebonized wood base. Bronze Sukhothai style Buddha bronze head with green patina, from Nor...

A richly detailed 19th-century Tibetan ritual vessel, hand-forged from copper and embellished with applied repousse and engraved brass medallions, geometric plaques, and symbolic mounts. Raised on three splayed feet, this bulbous, high-necked vessel features a domed body adorned with a dense array of ritual and decorative appliques, including stylized floral medallions, abstract symbols, and keyhole-like forms that reference tantric iconography. The vessel's expressive form is punctuated by three protruding spouts and retains its original arched swing handle with pierced brass finials. Meticulously decorated in traditional metalworking techniques, the surface patina reveals a rich, warm interplay between the copper ground and the golden brass overlay. An aesthetic that speaks to both spiritual function and ornamental sophistication. Likely used in ceremonial or domestic rituals, this vessel stands as a worthy testament to Tibetan artisanship and Buddhist ritual culture. A compelling piece for collectors of Himalayan antiques...

Totally handmade from beautiful hardwood with lots of patina, surface markings and cool vibe from over a century's use in Tibet. This piece is beautifully crafted with all dovetails ...

Thangkas are devotional paintings displayed by Buddhists in monasteries, temples, and even their homes. This 19th-century Tibetan Thangka is rich with historical figures and symbolism arranged around the Viashravana in the painting's center. This lesser deity is the god of wealth...

An oversized Gilt and Polychrome Cast Metal Copper alloy Sculpture of Sahasrabhuja Lokeshvara Avalokiteshvara Nepal. Nepal, 20st century. Dimensions: height 88in; width 60in; depth 3...

Vintage Asian Gilt Bronze Teppanom kneeling Thai Sacred Angel. Bronze gilded temple guardian in a sitting position. Gilt Kneeling Thai Buddhist gatekeeper angel kneeling praying. Int...

A fantastic and powerful Sino-Tibetan gilt bronze figure of Hayagriva and his consort Vajravarahi, created in Tibet for the Chinese market, 18th/19th century, Tibet. The wrathful...

2 PairS of Asian Thai style (19/20th Century) red and gold painted and carved door panels with dancing figures (PRICED PER Pair).

A beautifully fashioned Bronze Bowl with traditional form, good weight and deep sound. The OM Mani Padme Hum Mantra, shown here in Tibetan script. OM Mani Padme Hum, sometimes trans...

A finely painted Tibetan Thangka featuring the five wealth gods Jambhala. In the center the most powerful Yellow Jambhala sits on a lotus throne in the vajra position with his right ...

9763 - Finest 18th C Tsong Ka Pa. World class. Measures 6.75 inches tall. Purchased 10 years ago from a high-end Silicon Valley collection for my personal collection, that was forced to be sold off due to divorce. The Collector had an extremely good eye and had managed to put together a world-class collection 20 years ago before pieces like this became nearly impossible to find. recently, and since I have medically retired and moved to Ukiah oh, I have decided to merge my personal and Buddha Gallery Collections and have put everything up for sale. I am in the process of listing the very last of my personal items that have previously and not been available for sale up until this point. I bought many of them for strong prices as I bought them as a collector who is passionate about Buddhist and Hindu sculpture, and who only buys what I truly love myself. I have been collecting for more than 35 years now, as my collecting tracks alongside my Buddhist Meditation and Buddhist practice. Note the very fine beating on the robes-the Promote the level of refinement to the casting, sculpting, and finishing required means that only a fraction of the top 1% of Tibetan bronze sculpture...

A unique and elegant Tibetan carpet in a large format, most probably commissioned at the time for a special purpose. The neutral open field is framed by a series of borders, the larg...

A striking 19th century Tibetan thangka of the enlightened one, Buddha Nagaraja; King of Nagas (a.k.a. Buddha Nageshvara). Shown seated in the vajra position atop a lotus blossom, ha...

A fine and unusual wooden book or manuscript cover with a carved exterior and painted interior, 15th century, Nepal. The exterior of the manuscript cover exuberantly carved with ...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

This early 20th century Tibetan snuff bottle is delightfully ornate, crafted with silver metalwork and encrusted with colorful beads. The small bo...

A Tibetan Painted Panel Door. Canvas over wood painted using mineral pigments and polychrome. Tibet has little resources and old wood is reused as platforms for Buddhist art. This...

Sculpture of Shiva Nataraja, depicting the god within a ring of fire, holding a damaru drum in his right hand and a flame in the left. The Shiva is dancing on a reclining figure hold...

Size: 18 1/2in H x 28in W x 28in"D Door opening: 9in H x 23in W Origin: Lhasa, Tibet Circa: 1900-1940 Material: Cedar wood Condition: Original finished, hand made, hand paint. N...

Tibetan Bronze Horse Door Pull Handle Jumping Male Animal Shape Door Pull. Set of four Flying Horse Door Pull Handle Door Hardware. Brass Temple Door Handle Fertility Symbol, Nepal...

In Buddhism, Tara is a savior deity (savioress) who liberates souls from suffering. She is recognized as a Bodhisattva in Mahayana Buddhism and as a Buddha and the mother of Buddhas in Esoteric...

This stack of three molded ceramic tsa tsas depict Buddhist deities. Each was a meditation created in a monastery by a Buddhist monk in training. They were sol...

An antique Tibetan Thankga depicting Amitabha and surrounding deities, circa late 19th century. The center Amitabha is in a meditation form holding a black beggar's bowl. In the Mahayana Tradition of Buddhism, Amitabha is a celestial Buddha: the Buddha of Infinite Light and the principal Buddha in Pure Land Buddhism, a branch of East Asian Buddhism...

Large vintage heavy bronze statue of Prince Pra Apai Manee playing a traditional Asian string instrument called "Zueng". This bronze has a dark green patina, the ceremonial costume and the jewelry are adorned with gold leaf. The base is adorned with some small bonsai trees. Very fine art work on cast bronze. Very fine Intricate decorative Asian art work...

This small brass figure from the early 20th century depicts a Lama, a spiritual master and teacher of the Dharma in Tibetan Buddhism. Dressed in monk's attire, he rests in seated med...

Vintage Buddhist protector deity statue bronze heavy, ornate, symbolic, fertility symbol door handle from old temple Heavy bronze door handle in the ...