Hand-Crafted Asian Art and Furniture
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Technique: Hand-Crafted
Italian 1950 Plaster Wall Decoration African Dancer
Located in Byron Bay, NSW
The Italian 1950 plaster wall decoration of an African dancer is a beautiful and unique piece of art from the Mid-20th Century. The decoration is made f...
Category
1950s Italian Mid-Century Modern Vintage Hand-Crafted Asian Art and Furniture
Materials
Plaster
Antique kimono textile art " Plum Blossom Night ~ Resilience ~ " by ikasu Japan
By Kimono ikasu
Located in Setagaya City, JP
This artwork uses antique fabric from Taisho era (early 1920ies) kimono and paulownia wood taken from antique kiritansu - chest-of-drawers used initially to keep kimonos.
It is el...
Category
1920s Japanese Japonisme Vintage Hand-Crafted Asian Art and Furniture
Materials
Silver Leaf
Pair of 19th Century Black Lacquered Chinese Scholar Shelves
Located in Atlanta, GA
This beautiful pair of unusual Chinese scholar shelves is finely crafted with Chinese Northern Elmwood and finished with a black lacquer. The w...
Category
Mid-19th Century Chinese Antique Hand-Crafted Asian Art and Furniture
Materials
Elm, Lacquer
Unique Design Japanese Hand-Hammered Copper Vase by Kyuhodou
Located in Fukuoka, JP
Unique design Japanese hand-hammered copper vase by Kyuhodou
Dimensions: 20 cm , ( 7.8 inch) H.27 cm (10.6 inch),
Weight : 1.2kg (2.6 lb) with original wooden box 1.9kg ( 4.2lb )
Lacquer display stand...
Category
20th Century Japanese Showa Hand-Crafted Asian Art and Furniture
Materials
Copper
Vintage obi textile art "Under the Sun ~ Serendipity ~" by ikasu Red Beige Japan
By Kimono ikasu
Located in Setagaya City, JP
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This artwork creatively uses tree bark to evoke the imagery of woods and mountains during both the morning and nighttime on left and right. It is elegantly framed with paulownia wood, a tree closely connected to kimono culture, and is filled with storytelling and sense of luxury.
By incorporating both the front and back sides of the same obi fabric woven in different colors, the play of light and shadow on the mountains is depicted through the contrasting appearances of these surfaces.
The intention behind this piece is to convey the exquisite beauty of Japanese mountains and the lush forests that inhabit them. To achieve this, traditional elements of Japanese culture, such as obi textiles and craftsmanship involving wood, were used.
The outer side and inner linings of the same obi, no longer suitable for clothing, along with bark material that would normally be discarded, have been repurposed to create this exceptional upcycle artwork.
The fusion of Japanese natural materials – silk, paulownia wood, and pine bark for the central decoration – along with the so-called "Tozan" pattern, a unique Japanese natural design showing mountains from far-away point, captures the magnificent beauty of Japanese nature from various perspectives.
The central bark decoration stands out as a distinctive feature of this work. Pine, oak, and other tree barks are interwoven among the mountains woven into the obi, creating a tangible and authentic natural atmosphere.
<< Period / Story
The obi used in this piece was originally crafted during the late Showa period (1960-80ies).
<< Explanation and meaning of pattern and colors
This upcycle artwork uses an obi with a tozan pattern woven in two colors. The design is inspired by a distant mountain range, a motif that has been used in paintings and crafts since ancient times. However, in this particular design, the mountains are depicted not as distant peaks but as graceful semicircles giving it a mild atmosphere.
<< Characteristics of the fabric
This upcycled Fukuro-obi (two-side obi) showcases a festive color pattern of mountains intricately woven with gold threads against a beige front and red on the back.
The way this obi interacts with light allows it to shift in expression, much like a mountain revealing different facets over time. It can transform from deep shades of color to the appearance of gold shimmering against bright hues, depending on the lighting and viewing angle.
<< About the frame
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
Late 20th Century Japanese Japonisme Hand-Crafted Asian Art and Furniture
Materials
Silk, Wood
Antique Chinese Export circa 1900 Redwood Lacquered Inlaid Wash Stand Sideboard
Located in West Sussex, Pulborough
We are delighted to offer for sale this lovely circa 1900 Chinese Export redwood & inlaid wash stand sideboard with glass top
A very good looking and well made decorative antique...
Category
Early 1900s Chinese Chinese Export Antique Hand-Crafted Asian Art and Furniture
Materials
Teak
Chinese Asian White Ceramic Platter Bowl Scalloped Rim Huge Heavy 24 in. D.
Located in Moreno Valley, CA
Asian Chinese White Ceramic Platter Scalloped Rim Huge Heavy Dep Bowl 24 in. Diameter.
Very large white Asian Chinese ceramic plate or bowl.
Chinese Qing style white glazed ceramic bowl.
Oversized white ceramic platter bowl, great to use for indoor or outdoor parties for serving salads, seafood, or any catering exotic or classic cuisine and big enough to hold a turkey for Thanksgiving or Christmas.
Great to use as an Asian decorative bowl for fruits or just as a large white platter...
Category
Mid-20th Century Chinese Chinese Export Hand-Crafted Asian Art and Furniture
Materials
Ceramic
VIntage kimono textile art " Geometry ~ Chrysanthemums ~" by ikasu White Japan
By Kimono ikasu
Located in Setagaya City, JP
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This work is inspired by traditional Japanese natural symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is elegantly framed with...
Category
1960s Japanese Japonisme Vintage Hand-Crafted Asian Art and Furniture
Materials
Silk, Wood
Japanese Contemporary Black Brown Hand-Glazed Porcelain Vase by Master Artist
Located in Takarazuka, JP
Extraordinary museum quality contemporary Japanese hand-glazed decorative porcelain vase in a stunningly shape in black and brown, a masterpiece by a highly respected master porcelai...
Category
21st Century and Contemporary Japanese Meiji Hand-Crafted Asian Art and Furniture
Materials
Porcelain
Vintage obi textile art " Broken Vase ~ kintsugi ~" by ikasu Black Gold Japan
By Kimono ikasu
Located in Setagaya City, JP
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This textile artwork uses a vintage obi dated around 1980ies, with a feather motif, and arranges it so that it looks like a vase.
Antique obi, just as it is a broken vase, is united back again with black obijime - a string used to tie up obi when it’s worn. Framed in kiritansu (antique chest) paulownia wood.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
<< Explanation and meaning of pattern and colors
Feathers hold various meanings and symbolism in Japanese traditional culture, often reflecting themes of spirituality, symbolism, and folklore. Here are some of the meanings associated with feathers in Japanese tradition:
・Divine Protection: Feathers are often seen as symbols of divine protection and spiritual guidance. Feathers, especially those from birds, are considered to be imbued with the protective energy, offering spiritual guardianship and safeguarding against negative forces.
・Connection to the Spirit World: Feathers are sometimes associated with the spirit world and the realm of the divine. In folklore and mythology, feathers are depicted as messengers between the earthly realm and the celestial realms.
・Symbol of Beauty and Elegance: Feathers are admired for their natural beauty, grace, and elegance. In traditional Japanese arts such as Noh theater, Kabuki, and dance performances like Kagura, actors and performers often use feathered costumes or accessories to enhance their appearance and convey a sense of refinement and sophistication.
・Sign of Good Luck and Prosperity: In Japanese folklore, certain birds like cranes and pheasants are considered symbols of good fortune, longevity, and prosperity. Feathers from these birds are often depicted in art and craftwork as auspicious symbols believed to bring blessings and positive energy to the bearer.
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Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1980s Japanese Japonisme Vintage Hand-Crafted Asian Art and Furniture
Materials
Silk, Wood
Japanese Contemporary Brown Blue Red Hand-Glazed Porcelain Vase by Master Artist
Located in Takarazuka, JP
Exquisite contemporary highly collectible large hand-glazed decorative porcelain vase, an exhibition masterpiece titled "Dawn" by master porcelain artist from the Arita-Imari region ...
Category
21st Century and Contemporary Japanese Meiji Hand-Crafted Asian Art and Furniture
Materials
Porcelain
$11,600 Sale Price
20% Off
Japanese Platinum Brown Contemporary Hand-Glazed Porcelain Vase by Master Artist
Located in Takarazuka, JP
Extraordinary Japanese contemporary hand-glazed signed decorative porcelain vase in a stunning black/brown color and zirconium that creates the mesmerizing luster, an award-winning e...
Category
21st Century and Contemporary Japanese Meiji Hand-Crafted Asian Art and Furniture
Materials
Platinum
$10,500 Sale Price
30% Off
China Mid-18th Century Wood Hand-Carved Architectural Sculpture
Located in Brescia, IT
This charming Mid-19th Century fragment of wood, is a detail of an hand-carved wood column and it has its country of origin in the Oriental part of Indo-China.
This is an elegant object that can be used as a paperweight or it can be a decorative object simply, to appreciate for its charming shape and for the beauty of the detailed engraving in the wood. It is only a little piece, but trought it, is possible to understand the beauty and quality of design of the building from which it is coming out.
This beautiful piece can be useful as bookend also.
The photos shown this antique wood fragment...
Category
Late 18th Century Indonesian Chinese Export Antique Hand-Crafted Asian Art and Furniture
Materials
Wood
$866 Sale Price
20% Off
Japanese Contemporary Green Yellow Blue Porcelain Charger by Master Artist
Located in Takarazuka, JP
Exceptional contemporary Japanese museum-quality porcelain raised deep charger/centerpiece, hand-painted in vivid green and yellow, in a stunning Pentagon shape. It showcases a uniqu...
Category
21st Century and Contemporary Japanese Hand-Crafted Asian Art and Furniture
Materials
Porcelain
Japanese Contemporary Green Yellow Porcelain Charger by Master Artist, 2
Located in Takarazuka, JP
Exceptional Japanese contemporary large decorative deep porcelain charger, dramatically hand-painted on the finest quality porcelain, a signed masterpiece by highly acclaimed award-...
Category
21st Century and Contemporary Japanese Meiji Hand-Crafted Asian Art and Furniture
Materials
Porcelain
Vintage kimono textile art " Marble Story ~ Healing ~" by ikasu Grey Japan
By Kimono ikasu
Located in Setagaya City, JP
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This work uses a vintage kimono fabric with marble pattern, that makes it look like a real piece of marble.
The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
<< Explanation and meaning of pattern and colors
Kintsugi (金継ぎ), which translates to "golden joinery" or "golden repair," is a traditional Japanese art form of repairing broken pottery with lacquer mixed with powdered gold, silver, or platinum. I used this tecnique here to "repair" antique kimono by transforming it into art work. Beyond its literal meaning of mending broken ceramics, kintsugi carries profound philosophical and cultural significance in Japanese tradition:
・Embracing Imperfection: Kintsugi celebrates imperfection and impermanence. Rather than disguising or concealing flaws, it highlights them, treating the breakage as part of the object's history. This philosophy encourages acceptance of imperfection as an essential aspect of life, beauty, and human experience.
・Wabi-Sabi Aesthetic: Kintsugi embodies the principles of wabi-sabi, an aesthetic worldview centered on the acceptance of transience and imperfection. Wabi-sabi values simplicity, authenticity, and the beauty of things that are imperfect, impermanent, and incomplete. Kintsugi exemplifies these principles by turning what might be considered flaws into features that enhance the object's beauty and character.
・Resilience and Transformation: The act of repairing broken things with precious metals symbolizes resilience and transformation. Instead of discarding or replacing the broken object, kintsugi honors its history and transforms it into something new and valuable. This reflects broader philosophical themes of overcoming adversity, finding beauty in imperfection, and embracing change.
・Honoring the Past: Kintsugi preserves and honors the history of the object. Rather than erasing or ignoring its past, it acknowledges and celebrates it. This aspect of kintsugi can be seen as a metaphor for honoring our own personal histories, including the challenges and setbacks we have faced, and recognizing how they have shaped us into who we are today.
・Spiritual and Philosophical Symbolism: Kintsugi has spiritual and philosophical implications, reflecting concepts such as the interconnectedness of all things, the cycle of life and death, and the pursuit of harmony and balance. The process of repairing broken objects with precious metals is seen as a metaphor for spiritual growth, enlightenment, and the journey towards wholeness.
Overall, kintsugi represents not only a practical technique for repairing ceramics but also a profound philosophical and cultural perspective on life, beauty, and the human experience. It embodies values such as resilience, acceptance, and the transformative power of embracing imperfection.
<< Characteristics of the fabric
This vintage textile is hand-painted with a traditional painting technique where the colors are added on wet surface, which creates an effect of marble.
<< About the frame
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1960s Japanese Japonisme Vintage Hand-Crafted Asian Art and Furniture
Materials
Gold Leaf
Handcrafted White Navazi Lamp Ceramic Pottery Table Illumination Lighting
Located in Vilnius, LT
Product name: NAVAZI
Category: Lighting, Decoration
Type: Decoration, Floor lamp, Wall lamp, Pendant, Table lamp
Material: Ceramic/glass base, frosted glass, textile cable
Light sour...
Category
2010s Ukrainian Minimalist Hand-Crafted Asian Art and Furniture
Materials
Ceramic, Glass
Handcrafted Pink Rose Navazi Lamp Ceramic Pottery Table Illumination Lighting
Located in Vilnius, LT
Product name: NAVAZI
Category: Lighting, Decoration
Type: Decoration, Floor lamp, Wall lamp, Pendant, Table lamp
Material: Ceramic/glass base, frosted glass, textile cable
Light sour...
Category
2010s Ukrainian Minimalist Hand-Crafted Asian Art and Furniture
Materials
Ceramic, Glass
Handcrafted Crocodile Lamp Ceramic Pottery Table Artisanal Illumination Lighting
Located in Vilnius, LT
Product name: NAVAZI
Category: Lighting, Decoration
Type: Decoration, Floor lamp, Wall lamp, Pendant, Table lamp
Material: Ceramic/glass base, frosted glass, textile cable
Light sour...
Category
2010s Ukrainian Minimalist Hand-Crafted Asian Art and Furniture
Materials
Ceramic, Glass
Turkmenistan Antique Tea Copper Caraf Named "Aftabeh"
Located in Alessandria, Piemonte
Rare antique copper caraf for water or tea, named "aftabeh" from Bokara, in Turkmenistan -
Very old, but I perfectly cleaned. Interesting item with a good price.
O/5306 -
Category
Late 18th Century Turkmen Other Antique Hand-Crafted Asian Art and Furniture
Materials
Copper
PAIR OF 19TH CENTURY CHINESE DRAGON FOO DOG GOLD SILVER STITCH SILK EMBROIDERIEs
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning pair of original circa 1880 Chinese gold and silver threaded tapestry on silk depicting Chines...
Category
1880s Chinese Chinoiserie Antique Hand-Crafted Asian Art and Furniture
Materials
Silk
Hand-Crafted Shantung Silk Textile with Stunning Detailing
Located in Jimbaran, Bali
A wonderful hand-crafted shantung silk textile from Malaysia with stunning detailing and shades. Shantung silk is a medium-weight, plain-weave silk fabric which is woven from irregul...
Category
21st Century and Contemporary Malaysian Other Hand-Crafted Asian Art and Furniture
Materials
Silk
Hand-Crafted Silk Textile with Stunning Detailing
Located in Jimbaran, Bali
A wonderful hand-crafted silk textile from Malaysia with stunning detailing and shades. A wonderful decorative object to bring warmth and color to any space. This textile was hand-cr...
Category
21st Century and Contemporary Malaysian Other Hand-Crafted Asian Art and Furniture
Materials
Silk
Hand-Crafted Silk Textile with Stunning Detailing
Located in Jimbaran, Bali
A wonderful hand-crafted silk Textile from Malaysia with Stunning Detailing and shades. A wonderful decorative object to bring warmth and color to any space. This textile was hand-cr...
Category
21st Century and Contemporary Malaysian Other Hand-Crafted Asian Art and Furniture
Materials
Silk
EARLY 20TH CENTRY ORIENTAL CHiNESE HAND CARVED SOAPSTONE DECORATIVE 2 POTS
Located in Pulborough, GB
Antiques of London
A beautifully hand-carved early 20th-century Chinese soapstone ornament featuring two interconnected decorative pots. The piece showcases intricate detailing t...
Category
20th Century British Hand-Crafted Asian Art and Furniture
Materials
Soapstone
Vintage kimono textile art " Turquoise Forest ~ Strength ~ " by ikasu Blue Japan
By Kimono ikasu
Located in Setagaya City, JP
Fabrics featuring iconic Japanese plants like chrysanthemum, maple, and bamboo were gathered from various long underwear and kimono pieces to create a set of canvases (diameter 30, 25 and 20cm) showcasing exquisite gradations.
The top canvas, in pristine white, originates from long under-kimono, while the middle and bottom canvases are skillfully upcycled from kimono fabrics.
<< Period / Story
The long under-kimono and kimono fabrics used in these canvases were originally crafted and worn during the late Showa period (1960-80ies).
<< Explanation and meaning of pattern and colors
The pattern on the top canvas features a chrysanthemum, an auspicious emblem symbolizing longevity. It is affectionately referred to as the "raccoon dog chrysanthemum" due to the large, overlapping petals resembling the fur of a muzina, a creature similar to a raccoon dog or badger. This motif is highly popular in various plant-inspired designs and frequently seen in Edo komon, katazome, and jimon textiles.
The top canvas naga-juban under-kimono, being entirely white and devoid of any additional dyes, suggests its use as formal wear. Its pristine white hue accentuates the silk's luster when exposed to light and highlights the beauty of the woven patterns.
The fabric used here is rinzu, a type of fabric thinner than crepe de chine, characterized by its soft, smooth texture and subtle sheen. This particular lintel distinguishes itself with the way its ground pattern emerges and also incorporates a woven chrysanthemum pattern.
The central canvas showcases a maple tree, symbolizing longevity, which changes its colors with the seasons, bringing joy and happiness to people's lives.
The bamboo featured on the lower canvas has been regarded as a symbol of good fortune since ancient times, given its straight and vigorous growth, along with the Chinese legend that a phoenix consumes its fruit. It embodies concepts such as "immortality," "longevity," and "strength" because it remains green even in winter. The hollow stem also signifies "innocence," suggesting that there are no hidden agendas.
All three canvases are adorned with ground patterns that, when viewed from a distance, appear as modern works of art, yet upon closer inspection, they reveal a distinct Japanese ambiance.
<< Characteristics of the fabric
All three canvases are made of fabrics with jimon. The unique and high level of Japanese weaving...
Category
1970s Japanese Japonisme Vintage Hand-Crafted Asian Art and Furniture
Materials
Canvas, Silk
Antique Shanxi Province Elm and Black Lacquer Nightstand / Side Table with Stora
Located in Chicago, IL
Antique Shanxi Province Elm and Black Lacquer Nightstand / Side Table with Storage
This antique elm wood and black lacquer tall side table from the Shanxi Province has its original ...
Category
Early 20th Century Chinese Chinese Export Hand-Crafted Asian Art and Furniture
Materials
Elm, Lacquer
Hand-Carved Backstrap with Floral Engravings from Madura, Java, Indonesia
Located in Jimbaran, Bali
Hand-carved from Wood this is a wonderful example of a Backstrap Loom, an essential component of Ikat textile weaving. The present Backsrap Loom comes from the Island of Madura, off the northeastern coast of Java. The Curved section would fit around the weavers back not only providing support while they would we weave elaborate Ikat textiles but also allowing her to control the tension of the warp during weaving. In many cases husbands would craft unique carved and designed Backstrap looms for their wives and these would often be passed down through generations. The present Backstrap Loom features floral engravings.
Category
Early 20th Century Indonesian Tribal Hand-Crafted Asian Art and Furniture
Materials
Wood
Vintage kimono textile art " Fern ~ Connection to Nature ~" by ikasu Black Japan
By Kimono ikasu
Located in Setagaya City, JP
This work uses an antique tomesode (festive kind of kimono) with fern design to evoke feelings of tranquility, harmony, and appreciation for the beauty of the environment. Can be used both vertically and horizontally.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
<< Explanation of colors and patterns
In Japanese traditional culture, ferns, particularly the Japanese painted fern (Athyrium niponicum), hold several meanings and symbolisms:
・Elegance and Beauty: Ferns are admired for their graceful, delicate appearance and intricate leaf patterns. In Japanese aesthetics, they are appreciated for their natural beauty and are often used in gardens, landscapes, and floral arrangements to add a sense of refinement and elegance.
・Resilience and Perseverance: Ferns are known for their ability to thrive in diverse environments, including shady forests, rocky cliffs, and damp soil. Their resilience in the face of challenging conditions is seen as a symbol of endurance and perseverance. In Japanese culture, ferns may represent the ability to overcome adversity and flourish despite obstacles.
・Connection to Nature and Tranquility: Ferns are native to forested areas and are often associated with the natural world. In Japanese traditional culture, they symbolize a deep connection to nature and the importance of maintaining harmony with the environment. The lush green foliage of ferns evokes feelings of tranquility and peacefulness, making them popular motifs in Zen gardens and traditional landscape paintings.
・Purity and Simplicity: Ferns are emblematic of simplicity and purity in Japanese aesthetics. Their unassuming beauty and understated elegance reflect the principles of wabi-sabi, an aesthetic worldview that values imperfection, impermanence, and simplicity. Ferns may be used in tea ceremonies, Ikebana (flower arranging), and other traditional arts to evoke a sense of tranquility and appreciation for life's fleeting moments.
Overall, ferns in Japanese traditional culture symbolize elegance, resilience, connection to nature, purity, and simplicity. Their presence in art, literature, and landscape design underscores their enduring significance as symbols of natural beauty and spiritual resonance.
<< Characteristics of the fabric
This vintage textile is hand-painted with a traditional Japanese technique called "yuzen".
<< About the frame
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1960s Japanese Japonisme Vintage Hand-Crafted Asian Art and Furniture
Materials
Silk, Wood
Inside Painted Rock Crystal, "Birds and Follower" Snuff Bottle by Li Yingtao
Located in Tainan, TW
Li Yingtao, an owner of Yizhenzhai, was born in Hengshui City in 1963. He was praised as a Chinese master of splashing color in inside painting, a Master of Arts and crafts in Hebei Province, and the founder of splashing color techniques in inside painting. By now, he has been teaching and passing down this technique to his students.
Mr, Li Yingtao is one of the most outstanding disciples of the master of Chinese arts and crafts...
Category
21st Century and Contemporary Chinese Modern Hand-Crafted Asian Art and Furniture
Materials
Rock Crystal
Indonesian
Wayang Kulit" Shadow Puppet, Java, Indonesia, Early 20th Century
Located in Jimbaran, Bali
This flat shadow puppet depicts a mythical bird. It was crafted on the island of Java by a puppet artist using buffalo hide and mounted on bamboo sticks. It was used in Wayang puppet...
Category
Early 20th Century Indonesian Tribal Hand-Crafted Asian Art and Furniture
Materials
Leather, Wood
VIntage kimono textile art " Geometry ~ Marble ~" by ikasu Gold White Grey Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is elegantly framed with pau...
Category
1960s Japanese Japonisme Vintage Hand-Crafted Asian Art and Furniture
Materials
Silk, Wood
Vintage obi textile art " Camellia ~ Serendipity ~" by ikasu Blue Japan
By Kimono ikasu
Located in Setagaya City, JP
[Story behind the work]
This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
In this artwork, the aim was to capture the the auspicious symbol of camellia used in antique kimono. Traditional Japanese culture, represented by the kimono, and wood, an integral element of Japanese craftsmanship, were used to bring this vision to life.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
[Explanation and meaning of pattern and colors]
This delicate piece features hand-drawn camellia motifs flowing gracefully on a softly brightened grayish background.
Camellias, native to Japan, bloom from winter to early spring. As an evergreen tree with green leaves throughout the year, it symbolizes the anticipation of spring and is considered an auspicious plant. Due to its seasonal significance and auspicious meanings, camellias have been used as motifs symbolizing good fortune. Additionally, they were highly valued for their use in oil, cosmetics, and medicine, representing nobility. Believed to possess the power to ward off misfortune, camellias also carry the meaning of "protection from calamity" and have strong ties to traditional ceremonies. In this artwork, camellias are delicately depicted alongside flowing branches, subtly representing good fortune with their pale pink and white hues.
"Sora-iro nezumi 空色鼠" refers to a light grayish color with a hint of blue, reminiscent of the slightly brightened sky on a lightly cloudy day. Popular during the late Edo period (19th cent.), it elegantly captures the slightly brighter sky pattern seen on lightly overcast days. Notably, the term "nezumi-iro" (mouse gray), popular during the late Edo period, was paired with brown tones, collectively known as "Forty-eight Teas and a Hundred Mice 四十八茶百鼠." Colors within the "nezumi" (gray) spectrum, particularly "sora-iro nezumi," were favored by young people for their cool and sophisticated appeal.
[Characteristics of the fabric]
The fabric features intricately woven patterns that reveal subtle gradations through dyeing, creating a grid pattern that transforms depending on the light conditions.
Originally, this fabric was part of a formal kimono known as a "hōmongi 訪問着," featuring motifs along the hem, shoulders, and sleeves. These motifs have been carefully selected and combined to create a unified piece of artwork.
[About the frame]
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1960s Japanese Japonisme Vintage Hand-Crafted Asian Art and Furniture
Materials
Silk, Wood
Vintage kimono textile art " Sunset Timelapse ~ Ephemerality ~" ikasu Red Japan
By Kimono ikasu
Located in Setagaya City, JP
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The art piece uses two sides - front and reverse - of the same kimono, to show beautiful sea surrounding Japan, in hues and in late sunset, as a timelapse.
The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono.
I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it?
<< Period / Story
The kimono used in this piece was originally crafted during Showa period (around 1960ies).
<< Explanation and meaning of pattern and colors
Sea waves, depicted in two color variations here, are a symbol of transience and Impermanence in Japanese culture. The ebb and flow of the tides, the ever-changing currents, and the relentless motion of the waves serve as reminders of the fleeting nature of life. This artwork featuring the sea convey themes of impermanence, reminding viewers to cherish the present moment and appreciate the beauty of life's fleeting moments.
The theme of impermanence is strengthen by two colors of the sea - the lighter in early hues and the darker when the sun is just about to set in the sea.
<< About the frame
This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
Paulownia wood is closely linked to kimono culture. During the Edo period (17th cent.~), it became customary to store cherished kimonos in paulownia chests...
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Antique Shanxi Province Elmwood Accent Side Table
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Royal House Antiques
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Inside Painted Rock Crystal, "White Lotus" Snuff Bottle by Li Yingtao, 2014
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