Antique Japanese Taisho Period Hinamatsuri Doll

A Japanese Kesa (Monk's Vestment) made from thirteen columns of patchworks of shimmering woven brocades. The elaborate motifs feature repetitive elaborat...

A stunning Japanese embroidery tapestry circa 1880s-1900s from late Meiji period, presented with an original wood frame with inner gold trim. The tour-de-force embroidered tapestry s...

Taisho-Early Showa period Japanese Stencil-Dyed Summer Kimono with bamboo Motif A light-weight summer kimono woven of both cotton and silk, and patter...

A stunning Japanese Kesa (Monk's Vestment) made from thirteen columns of patchworks of shimmering woven brocades with luxuriant golden threads. Dated to late 19th century of Meiji Period, the elaborate woven motifs on this kesa feature repetitive roundels dragon and phoenix intermixed with peonies and chrysanthemum blossoms. Two shades of contrasting gold threads were used on a striking purplish-blue background, with a dark metallic thread for the outer border and a brighter thread for the main body. The brilliantly woven fabric was possibly recycled from Noh costumes...

A magnificent antique Japanese silk obi fragment from the Meiji period (1868–1912), showcasing exceptional hand embroidery and gold leaf overlay. This refined textile features a pai...

A large Japanese silk embroidery tapestry circa 18th century Edo period. Possibly an altar tablecloth originally, the embroidered textile pane...

A striking Japanese embroidery tapestry circa 1890s Meiji period presented in a gilt wood frame under glaze. The design features four dragons coiling and slithering in the clouds. The most auspicious mythological creature, dragon was a very popular motif in Japanese textile art. Viewing this particular piece, one is struck by the superb craftsmanship with the profuse use of silver threads in satin stitches and complex chain stich coiling that create the background. The slight relief technique was also used on parts of the dragon heads, rendering the piece a strong sense of dimension and motion. The textile itself measures about 32.5"x46". Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. As there is no brocade border present, the piece is likely the main part with the central motifs of a larger tapestry and was later framed for display. For two similar dragon tapestries...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested ...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The auspicious composition features a group of red-crown cranes, the symbol of longevity. Three of them perch on the rock by the ocean (East Sea) an two of them are in flight. Additionally, two egrets frolic in the wave. Yuzen dying was used extensively to showcase the amazing details such as the waves and the gradual coloring effect. Embroidery was used sparsely to highlight areas such as the legs of the crane to render it more dimensional details. The piece has a red silk backing and still retains four blue tassels on corners as well as decorative stitches along the edges. Fukusa is a traditional Japanese textile...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The front cover likely depicts a scene from the Tale of Genji, showing a nobleman and his servant pays a visit to a lady in a fenced thatch-roof house under a high peak. The details of blossom trees and pines, as well as the characters, and scenery with a gradual color are astounding. It is telling that the Yuzen dying was used such an mastery. The piece has a red silk backing and still retains two red tassels on the lower corners as well as decorative stitches along the edges. There is a patched design on the back likely a Mon symbol (family crest). Fukusa is a traditional Japanese textile...