Framed Japanese Embroidery Fukusa Penal Meiji Period

A finely embroidered Japanese silk Fukusa panel presented in a beautiful brocade-wrapped fame. Circa late 19th century of Meiji Period, Fukusa is a traditional Japanese textile...

A visually stunning Japanese embroidery tapestry circa 1890s-1900s late Meiji period, presented with a linen matt with gold trim in a gilt wood frame. The design showcases a flying p...

A spectacular Japanese embroidered silk panel beautifully presented in a gilt frame suspended in a lucite shadow box with gilt wood border. The silk picture is dated to 1890-1910s toward the end of Meiji Period, when Japanese started to participate international expose by presenting its best art and craft. Elaborate embroidered silk tapestry like this was very popular among westerners due to its superb craftmanship and also exotic subject matter that was often derived from classic Japanese folklore, mythology and various motifs. The tapestry on offer is such an example. It depicts an old couple...

A striking Japanese embroidery tapestry circa 1890s Meiji period presented in a gilt wood frame under glaze. The design features four dragons coiling and slithering in the clouds. The most auspicious mythological creature, dragon was a very popular motif in Japanese textile art. Viewing this particular piece, one is struck by the superb craftsmanship with the profuse use of silver threads in satin stitches and complex chain stich coiling that create the background. The slight relief technique was also used on parts of the dragon heads, rendering the piece a strong sense of dimension and motion. The textile itself measures about 32.5"x46". Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. As there is no brocade border present, the piece is likely the main part with the central motifs of a larger tapestry and was later framed for display. For two similar dragon tapestries...