Mid-20th Century Chinese Hand embroidered Jacket, Gua Zi

Originally purchased from Hong Kong, this Chinese antique embroidery presented in a museum quality. This textile was a roundel design likely from the center front of a noble woman's...

A very rare and pristine condition traditional Chinese raincoat consisting of both an apron skirt, cape and hat made entirely from palm tree and coconut fibers several layers thick. ...

Originally purchased from Hong Kong, this Chinese antique embroidery presented in a museum quality. This textile was a roundel design likely from the center front of a noble woman's...

A group of three antique Chinese textiles embroidery arranged and professionally matted and framed. The museum quality display includes two Identical pieces symmetrically on the top ...

A woman's coat made of black stain silk with wide sleeves from China late Qing Dynasty (late 19th to early 20th century), mounted with the sleeves folded and presented on a coral red...

A woman's court coat made from fine orange color silk with wide sleeves from Chinese Qing Dynasty (mid 19th century), mounted on linen canvas and presented on under a plexiglass shadow box with brass corner trims. This piece is part of the textile art collection of the former Xerox Corporate and still bears a metal tag that read "Xerox property no A2425". The semi-long Apricot color silk coat features elaborate embroidery work executed in superb workmanship. Perfectly symmetrical, the design follows the iconic Qing dynasty court tradition as an informal court coat. The bottom of the skirt is bordered with fine Li-Shui bands with rocks in the middle. Three large peony floral roundels form the focal points of the front. Two additional were placed on the shoulder (half visible). Numerous auspicious symbols were incorporated into the picture, including plum blossom, Chrysanthemum flower centered with Buddhism symbols, bats, butterflies, and magic mushrooms. The neck and skirt bands features archaic key motif, scrolling floral vines and Buddhist drums with ribbons. Examining the robe, one is struck by the fine workmanship. Long and short satin stiches were used widely. The peonies were created using forbidden knots (Peking Knote), one of the most challenging and time-consuming stiches in Qing textile. The robe carries a nice patina, reflecting in a mottled fading in the background that renders the piece a nice antique aurora...

A woman's coat made of black silk with wide sleeves from Chinese late Qing Dynasty (mid to late 19th century), mounted and presented on blue linen board and framed as a stunning piec...

A framed vintage Chinese embroidered bridal jacket called "Gua", which is the upper part of the two-piece wedding assemble called "Qun Gua", with the low...