Sub-Saharan African Textiles
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Place of Origin: Sub-Saharan African
Old African Tapa (barkcloth) /20th century/Mbuti Barkcloth Textile/Tapestry
Located in Sammu-shi, Chiba
This cloth was made by the Mbuti people, a pygmy tribe living in the Democratic Republic of the Congo. The Mbuti are hunter-gatherers who live in the Ituri rainforest, a tropical rai...
Category
20th Century Other Sub-Saharan African Textiles
Materials
Other
African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 Yards
Located in Moreno Valley, CA
African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards.
Colors are organic earth tone beige and light brown in geometric design.
Non waxed fabric circa 1950s.
Hand made in Ghana Africa.
Museum Quality Original Long Piece.
380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft).
Could be use to make pillows or upholstery.
History of Batik in Africa:
Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana.
In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations.
Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs.
Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric.
Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad.
In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country.
HISTORY OF BATIK
In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments.
Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward.
In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...
Category
Mid-20th Century Folk Art Sub-Saharan African Textiles
Materials
Cotton
Woven African Tribal Bogalan Mud Cloth Textile
Located in Moreno Valley, CA
Handwoven Bogolan mud cloth textile from Mali, Africa, Bambara.
It is a handwoven tribal cotton fabric traditionally dyed with fermented mud.
Woven Afr...
Category
20th Century Folk Art Sub-Saharan African Textiles
Materials
Cotton
African Kuba Textile Panel for Wall or Table or Backrest Covering
Located in Alessandria, Piemonte
Vintage Handwoven and hand died raffia panel - Suitable for wall decoration over a bed or leaning on a long table
B/ 1658-1.
Category
1930s Tribal Vintage Sub-Saharan African Textiles
Materials
Raffia
African Textile Kuba, suitable for table or Wall Hanging or Backrest Covering
By Kuba
Located in Alessandria, Piemonte
B/1676. Old African textile from Kuba, Zaire: with small shells as ornament.
An IDEA: use this item as backrest covering of a sofa !
Category
Mid-20th Century Folk Art Sub-Saharan African Textiles
Materials
Cotton, Raffia
African Textile Panel with Shells
Located in Alessandria, Piemonte
Old African textile panel with shells,: You can mount on a panel for wall, or place on table, or mount as lampshade. Its colors are sunny. It's wonderful for a sea-house !
B/1677-1
Category
Mid-20th Century Modern Sub-Saharan African Textiles
Materials
Raffia
African Textile by Kuba, Zaire - for Backrest Cover
Located in Alessandria, Piemonte
B/874/1 - Vintage African Kuba textile, suitable for Wall hanging or table -
An IDEA: use this item as backrest covering of a sofa !
Category
Mid-20th Century Folk Art Sub-Saharan African Textiles
Materials
Raffia, Cotton
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H 33.47 in W 20.87 in L 33.47 in
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